The Asheville Area Arts Council has momentarily put its “Point Of View” curatorial series, which would have been the organization’s inaugural opening, on hold. It will instead premier in the final week of September in the AAAC’s new space in the Grove Arcade. In it’s place is Camped Out On Greasy Grass: A Series of […]
Cartier-Bresson, Kertész, Cunningham, Friedlander, Hugnet, Mann — together, these names read like a checklist from a MoMA photography exhibition. They just so happen to be among the more than two dozen artists featured in MERGE, on view through September at Asheville’s Castell Photography.
Time is of the essence for two current solo exhibitions. Dox Trash, An American Journey: Georgia to Philadelphia, organized by the Dolan/Maxwell Gallery and Georgia College Museum of Art is at the Asheville Art Museum; Twenty Years Progress, new works by local artist Tom Pazderka, is at Pink Dog Creative. Each sets the stage for […]
The Asheville Area Arts Council is moving: Friday, Aug. 1, marks opening day for the 62-year-old nonprofit organization in suites 144 and 143-A of the Grove Arcade. The new location marks the organization’s return to downtown Asheville after a three-year stint in the River Arts District’s Pink Dog Creative building. The move also follows a […]
An 11th-hour effort to stave off a city order mandating that nearly two dozen artists vacate a cluster of River Arts District buildings came to an end on Wednesday afternoon, July 16, when city officials made final their decision and declined to issue a temporary certificate of occupancy. The mandate affects a city-sponsored art project and New […]
Southern Appalachia can thank any number of movies and TV shows for flagrantly misconstruing us as a bunch of lawless, illiterate hicks and hillbillies. Such characters have softened and intoxicated our sheriffs, put moonshine stills in all of our kitchens and rendered snakes as common as hymnals in our churches. And docudramas such as Moonshiners […]
Between 1502 and the mid-1860s, more than 15 million people were placed in chains and loaded onto boats that sailed from West African shores to Brazilian ports, Caribbean sugar plantations and American cities like Wilmington, N.C., Mobile, Ala. and Charleston, S.C. There, the 12 million or so who survived the monthslong Middle Passage, shackled and […]
The word “fame” is painted directly on the wall beside the Satellite Gallery’s entrance in 12-foot-tall letters. It’s written in the wispy Coca-Cola script, but in a gluttonous and vibrating pinkish orange rather than the patented cherry red color, and it introduces The Fame Game, a new collaborative exhibition by Asheville artists Yamabushi and Ishmael. The show […]
Stepping away from your artwork is by all means a healthy practice. Likewise, getting entirely outside of that artistic comfort zone can unleash an even greater wealth of perspective-changing insight. And occasionally that leads you back to a better-informed and more refined starting point. Blip, the newest collection of oil works by Asheville painter Jeremy […]
Instant Photography: 2003-2014 It’s hard to believe that Polaroid film could completely disappear. There always seems to be someone willing to step in and provide a financial crutch, or two for that matter. (I’ve personally lost count of how many resuscitations the company has had since debuting its instant self-developing film in 1947.) But whatever […]
Death and taxes — they’re life’s only two constants. Or so they’ve been called by the likes of Ben Franklin, Daniel Defoe and Dorothy Parker. But while you can avoid your taxes (at risk of a hefty prison sentence) the former is still, and always will be, wholly inescapable. It’s a cold fact that can either […]
The word “silverware” is seldom used in reference to real silver. Instead, it’s typically applied to household utensils that are silver-plated at best but more likely to be made of stainless steel, aluminum or even plastic.
Selfie-obsessed If the advent of the camera single-handedly changed our perceptions of portraiture in the 19th century, then it could be said that the selfie is certainly our generation’s most consequential mark on the portrait. In late 2013, “selfie,” a word born out of a chatroom thread in 2002, was officially added to the Oxford […]
Everyone loves a great return and Friday, May 9, brings two. Jamaica People, opening in West Asheville, presents images a local photographer brought back from her trips to that Caribbean Island. And in downtown Asheville, media and design forum PechaKucha night returns after a lengthy hiatus. Not your average vacation photos Photographer Jessica Rehfield initially […]
After 16 years as one of Asheville’s leading art supply shops, True Blue Art Supply will close its doors for good this Friday, May 9.
Asheville Wordfest, now in its seventh year, sets its sights beyond mere merriment. “It’s a reflection of what Asheville is, what matters to us, what we love,” says event founder and organizer says Laura Hope-Gill. “It’s about the whole community, the story of our community.”
The exhibition, which opened Friday, April 25, is up through this Friday, May 2 at The Tannery, a studio and gallery space off of Old Lyman Street in the River Arts District. It was organized independently of the WCU art program and co-curated by MFA candidates Tonya Anderson and Laura Sellers. Its featured works offer a cross section of the department’s breadth.
‘Tis the season for name changes and new albums. The Toothe, fresh off the heels of a much-needed name change from its former tangle — John Wilkes Boothe and The Black Toothe — debuts its new album, Talons EP, with a record release show on Friday, May 2, 9 p.m., at The Odditorium. Blot and […]
Asheville-based psychedelic indie pop rocker outfit The Tills arose from the ashes of its former, and apparently legally bound name, The Critters, in January after receiving a cease-and-desist phone call from the 1960s pop band of the same name. The local obliged and promptly released its new album, Mixtape Vol. 1, a frenzied 13-track outburst […]
On Friday night, the City of Asheville’s Public Art and Cultural Commission (PACC) will host a public comment and review session for three project proposals in order to determine which new piece of public art will be installed at the 51 Biltmore Ave. parking garage.
Ralph Burns: A Persistence of Vision, 1972 – 2013, is a new exhibition opening this Saturday, March 29 from 5 to 7 p.m. at the Asheville Art Museum. The show, curated by J. Richard Gruber, Ph.D., the Director Emeritus of the Ogden Museum of Southern Art, surveys 41 years of work by Asheville photographer Ralph Burns. Photo: “Baptism #1,” Jordan River, Israel, 1996, silver gelatin print