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Cranky Hanke’s Weekly Reeler April 16-22: Le Lunchbox Under Heaven’s Transcendence

This is a really strong week — a remarkably strong week. But the odd thing about that is that its strengths all lie in the art titles. Two of those are among the best things I’ve seen this year — the sort of films that will probably be on my Ten Best list come December (hey, we’re to three now!). The mainstream titles are more problematic to say the least. I have, in fact, been told by one who has seen them that one is not very good, one is just plain not good and one is downright awful.