In Theaters We have a fairly busy week — three mainstream titles of unknown quality and three art titles (one of unknown quality). It is, of course, the unknown quality aspect that’s the kicker in all this. But, say, isn’t that always the case with these things? Let’s get what I’ve seen and reviewed out […]
This is a really strong week — a remarkably strong week. But the odd thing about that is that its strengths all lie in the art titles. Two of those are among the best things I’ve seen this year — the sort of films that will probably be on my Ten Best list come December (hey, we’re to three now!). The mainstream titles are more problematic to say the least. I have, in fact, been told by one who has seen them that one is not very good, one is just plain not good and one is downright awful.
In Theaters The movies are often accused of a lack of originality — thriving on remakes and sequels. I suppose it is an endorsement of this when you consider that last week’s Big Thing was a sequel, and this week’s Next Big Thing is also a sequel. But it doesn’t end there. A disturbing […]