For whatever reason, the only time I’ve ever seen Roman Polanski’s Chinatown (1974) on the big screen was at a university showing from a 16mm print. That’s hardly the ideal way to see a film this visually rich and complex, but in the 1970s it was about the only way to see a film once it went out of general distribution. As a result, I’m as jazzed as anyone about seeing Chinatown on a really big screen and from a remastered DCP. All films are better on a screen in a theater with an audience, but some films demand it.
Chinatown — with its gorgeously detailed recreation of 1930s Los Angeles and its pervasive atmosphere is one of them. That it’s one of the great films goes without question, but it’s a film that isn’t embalmed by its greatness. It’s vibrant, alive, witty and incredibly entertaining. It’s also a reminder of what a truly great actor Jack Nicholson was at the height of his career — and what a dynamic screen duo he and Faye Dunaway made and still make. The film ranks as the 19th greatest movie of all time on the American Film Institute’s list of the 100 best movies. Robert Towne’s screenplay was voted number three on the Writers Guild of America’s top 101 screenplays. Seeing the film again will remind you why.
For more on the film go here.
The Asheville Film Society’s Big Screen Budget Series will show Chinatown Wed., Aug. 21, at 7:30 p.m. in one of the downstairs theaters at The Carolina Asheville. Admission is $5 for AFS members and $7 for the general public.