Good Morning

Movie Information

In Brief: Yasujirô Ozu's Good Morning (1959) is typical of the filmmaker's work in that it looks, rather disapprovingly, at the growing westernization of post-war Japan. But Good Morning — with its story of two boys refusing to speak until their father buys a TV set — is slighter, warmer and more accepting than most of Ozu's films. It is by no means a major work, but it's a pleasant one. Classic World Cinema by Courtyard Gallery will present Good Morning Friday, Sept. 5, at 8 p.m. at Phil Mechanic Studios, 109 Roberts St., River Arts District (upstairs in the Railroad Library).  Info: 273-3332, www.ashevillecourtyard.com
Score:

Genre: Comedy
Director: Yasujirô Ozu
Starring: Keiji Sada, Yoshiko Kuga, Chishû Ryû, Kuniko Miyake, Haruko Sugimura
Rated: NR

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Original review from last spring: OK, I’m not a huge fan of Yasujirô Ozu. I recognize his place in world cinema, but I’ve never warmed to his work on a personal level, I don’t care for his restrained style, and I don’t accept the idea that everything he made was of great importance. (If you’re an Ozu completist, sure, but otherwise, no.) Good Morning (1959) is a case in point. It feels a lot like a throwback to the silent I Was Born, But… (1932) with a slightly different set of concerns. It’s a pleasant little slice-of-life story set primarily in a small middle-class neighborhood — a nice enough place, so long as you don’t scandalize anyone. Unfortunately, the neighborhood’s one “showbiz” family is a scandal — in part because they stay in their pajamas all day. They also own the only TV set in the area, making them popular with the local children. It is this TV business that ultimately drives the plot about two boys refusing to speak until their rather reactionary father buys a TV. This is all pretty typical Ozu with its concerns over the Westernization of Japan, but the tone is lighter and more playful. Much of the film is actually given over to the amusing relations and backbiting among the neighborhood women. There’s also a good bit devoted to the employment problem in the area. This, in fact, is shrewdly brought around as a means for the father to settle the TV issue without, in his own mind, losing face. A pleasant film, but hardly a great one.

 

Classic World Cinema by Courtyard Gallery will present Good Morning Friday, Sept. 5, at 8 p.m. at Phil Mechanic Studios, 109 Roberts St., River Arts District (upstairs in the Railroad Library).  Info: 273-3332, www.ashevillecourtyard.com

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About Ken Hanke
Head film critic for Mountain Xpress from December 2000 until his death in June 2016. Author of books "Ken Russell's Films," "Charlie Chan at the Movies," "A Critical Guide to Horror Film Series," "Tim Burton: An Unauthorized Biography of the Filmmaker."

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