From the original review: Lindsay Anderson’s If…. (1968) introduced filmgoers to a young TV actor named Malcolm McDowell and led to what would ultimately be Anderson’s trilogy of films with McDowell’s character. If…. is one of the undisputed classics of modern British cinema. The story is simple: simmering resentment at an English boys’ school that ultimately turns into open, violent, bloody revolution. Anderson’s idea was to use this ultra-traditional microcosm of British society to make a larger, allegorical point about what was happening in the country (indeed, in a lot of countries) on a broader scale. At the time, the idea of a revolt at a boys’ school probably seemed almost like science fiction (despite the fact that the film’s roots are in Jean Vigo’s 1933 surrealist short feature Zéro de Conduite). Today, the story is all too believable, even if the surrounding conditions have altered a bit. Anderson’s is a bold film, and an angry one. There’s little of the humor that punctuates its more fanciful sequel, O Lucky Man! (1973), and not even much of the intensely bitter comedy of the final film in the set, Britannia Hospital (1982).
Full review: http://avl.mx/u2
Classic World Cinema by Courtyard Gallery will present If…. Friday, June 7, at 8 p.m. at Phil Mechanic Studios, 109 Roberts St., River Arts District (upstairs in the Railroad Library). Info: 273-3332, www.ashevillecourtyard.com