mononcle5

My American Uncle (Mon Oncle d’Amerique)

Movie Information

In Brief: World Cinema concludes its monthlong tribute to Alain Resnais with the filmmaker's 1980 film My American Uncle (Mon Oncle d'Amerique), and it's another winner. It takes the intersecting stories of three characters, along with the real evolutionary philospher Henri Laborit, and presents their stories in terms of a sociological/psychological study, based in part on Laborit's theories. (Resnais throws in at least one theory of his own.) The results are slyly comic and finally devastating. Classic World Cinema by Courtyard Gallery will present My American Uncle Friday, April 25, at 8 p.m. at Phil Mechanic Studios, 109   Roberts St., River Arts District (upstairs in the Railroad Library).  Info: 273-3332, www.ashevillecourtyard.com.
Score:

Genre: Drama
Director: Alain Resnais
Starring: Gérard Depardieu, Nicole Garcia, Roger Pierre, Nelly Borgeaud, Pierre Arditi, Henri Laborit
Rated: PG

 

mononcle

 

I have no clue what anyone else has gotten out of World Cinema’s Alain Resnais retrospective, but it’s turned me into a major Resnais fan — and for that, I’m grateful. Before seeing the last two films on their schedule — Muriel, or The Time of Return (1963) and this one — I respected Resnais for his New Wave contribution with Hiroshima, Mon Amour (1959) and was fascinated by his more idiosyncratic Last Year at Marienbad (1961). The only other of his films I’d seen had been You Ain’t Seen Nothin’ Yet (2012), which I enjoyed, but wasn’t blown away by. (In part, I think this may be due to a lack of in-joke knowledge.) Muriel, on the other hand, spoke to me far more deeply than any of these, and Resnais’ 1980 film My American Uncle (Mon Oncle d’Amerique) took me even further. It is a film that at once disturbingly deconstructs human behavior in an almost clinical — and bitterly comic — manner, while evidencing great warmth and fondness for its benighted characters.

 

mononcle4

 

On a single viewing, I feel incapable of really discussing My American Uncle in any depth, but I can lay out the basic approach. I will start with the fact — and this is key — that not only does this American uncle never appear, he probably doesn’t exist. (Whether or not this is a comment on the existence of God depends on your reading of the film.) In essence, the film deals with three characters — played by Gérard Depardieu, Nicole Garcia, and Roger Pierre — whose lives will at least intersect and in one case more than that. Into this mix, Resnais has added evolutionary philospher Henri Laborit as himself. Laborit directly presents his behavioral studies to the viewer in ways that comment on and explain the actions of the characters. At times, the characters even take on the appearance of lab rats. It is both playful and slightly disturbing — I mean, who really wants to be reduced to the reactions of a lab rat?

 

mononcle3

 

Resnais, however, sticks his own oar in by suggesting the impact of popular culture — specifically cinema — on his characters. Each in turn equates (via film clips) his or her life experiences to movies with Danielle Darrieux, Jean Gabin, and Jean Marais. This softens — or at least humanizes — the proceedings. It does not, however, let them — or us — off the hook, since the intercut foorage from old movies can’t help but suggest self-dramatization of the highest order. That it is somehow more comforting than having one’s passion being intercut with the death throes of a wild boar is perhaps more a comment on our own affectations than truly comfort. Even so, the film ends up feeling far more humanist than clinical — not in the least because Resnais clearly loves these characters in all their often boneheaded imperfection, regardless of how they got that way. Disturbing, funny, human, and mesmerizing.

Classic World Cinema by Courtyard Gallery will present My American Uncle Friday, April 25, at 8 p.m. at Phil Mechanic Studios, 109   Roberts St., River Arts District (upstairs in the Railroad Library).  Info: 273-3332, www.ashevillecourtyard.com.

SHARE
About Ken Hanke
Head film critic for Mountain Xpress since December 2000. Author of books "Ken Russell's Films," "Charlie Chan at the Movies," "A Critical Guide to Horror Film Series," "Tim Burton: An Unauthorized Biography of the Filmmaker."

2 thoughts on “My American Uncle (Mon Oncle d’Amerique)

  1. Ken Hanke

    I’m not sure. The copy I saw was Region 2, so my guess is yes. Or at least it requires a region-free player. It seems to be fairly easy to find at reasonable prices on Amazon.

Leave a Reply

To leave a reply you may Login with your Mountain Xpress account, connect socially or enter your name and e-mail. Your e-mail address will not be published. All fields are required.