Yojimbo

Movie Information

In Brief: Yojimbo (1961) is one of Akira Kurosawa’s most entertaining films — and it was his biggest hit in Japan. I suppose you could say that’s because it’s one of his most accessible, though how a dark-humored Japanese Western based on an American hard-boiled crime novel became accessible is something of a puzzlement. Nonetheless, its story of a slightly seedy — and utterly cynical — wandering Samurai cleaning up a rough and tumble town by letting the bad guys do all the work for him had, and still has, immediate audience appeal. Classic World Cinema by Courtyard Gallery will present Yojimbo Friday, Dec. 19, at 8 p.m. at Phil Mechanic Studios, 109 Roberts St., River Arts District (upstairs in the Railroad Library).  Info: 273-3332, www.ashevillecourtyard.com
Score:

Genre: Black Comedy / Action
Director: Akira Kurosawa
Starring: Toshirô Mifune, Tatsuya Nakadai, Yôko Tsukasa, Isuzu Yamada
Rated: NR

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Lightweight Akira Kurosawa to be sure, Yojimbo still remains one of the director’s most entertaining and best-liked films. The movie is a singularly odd creation: It more or less uses the framework of Dashiell Hammett’s novel Red Harvest — in which a detective from outside cleans up a corrupt town by pitting rival factions against each other — but I’m not sure I’d call it an adaptation exactly. Using that setup and changing the detective to a wandering samurai (Toshirô Mifune), Kurosawa turns the whole thing into a Japanese Western, even creating a town with one central street that’s built just for showdowns. (The film is so like a Western that Sergio Leone appropriated it for A Fistful of Dollars in 1964.)

 

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This is then approached in a darkly comic manner that almost verges on the slapstick subgenre (well in advance of such a subgenre existing). Kurosawa then tops it off by applying an offbeat score by Masaru Satô that can best be described as a fusion of Japanese music and 1950s jazz. This is one of those movies where it sounds like none of it should work and yet all of it somehow does. Mifune gives an exceptional — and quietly humorous — performance as a man who cares nothing for the amoral town (the first thing he sees on his arrival is a dog with a human hand in its mouth) and manages to get paid for doing nothing.

Classic World Cinema by Courtyard Gallery will present Yojimbo Friday, Dec. 19, at 8 p.m. at Phil Mechanic Studios, 109 Roberts St., River Arts District (upstairs in the Railroad Library).  Info: 273-3332, www.ashevillecourtyard.com

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About Ken Hanke
Head film critic for Mountain Xpress from December 2000 until his death in June 2016. Author of books "Ken Russell's Films," "Charlie Chan at the Movies," "A Critical Guide to Horror Film Series," "Tim Burton: An Unauthorized Biography of the Filmmaker."

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