Along with craft beer, the drum circle and a nun on a tall bike, outdoor event spaces are primed to become one of Asheville’s defining factors. Highland and Pisgah breweries have already found success with outdoor stages, and the open-air space of Salvage Station is anxiously awaited. But unlike those venues located on the outskirts […]
Catie Curtis was dubbed a “folk-rock goddess” by The New Yorker — an impressive title that still doesn’t manage to sum up the singer-songwriter’s remarkable career. A Maine native, Curtis got her musical start as a drummer and, as a teenager, sat in with Foreigner on “I Want to Know What Love Is.” She went […]
CDs are on their way out. For some music fans, they’ve been dead for years. As downloading and digital streaming continue to consume the music industry, more and more artists and boutique producers are embracing that transition by turning to alternative means of preserving the physicality of the album. Vinyl records have come back in […]
Theatrical facial expressions and expressive gesticulations take jazz vocalist Annie Sellick’s onstage storytelling abilities over the top, transforming each song into a personal conversation with the crowd. The performer — part musician, part impromptu actress — is truly living every lyric as she sings. The Hot Club of Nashville, which infuses 1930s and ’40s jazz […]
For Reed Kendall, transitioning from solo songwriting to a solid band lineup has been “the ultimate blessing.” With drummer Kirby Sybert and bassist Noah Skaroff replacing the former rotating cast of musicians, he says his Philadelphia-based rock band Up the Chain is using consistency and trust as a platform for progress. The group’s first record […]
The term “countrypolitan” is new to me, but it’s been tossed around a bit in regard to All These Dreams — the new album by Nashville-based singer-songwriter Andrew Combs. Countrypolitan references a handful of players that followed “the Nashville sound” — a ’50s-era sub genre of country music where honky-tonk edge was polished and produced. […]
Each week, Xpress highlights notable WNC crowdsourcing initiatives that may inspire readers to become new faces in the crowd. This week features local musician Stephen Evans’ debut solo album, a print magazine by UNC Asheville students and a new record by Hank West and the Smokin’ Hots.
The musical thread that weaves this diverse collection of live acts is simple: fun. Different kinds of fun, to be sure — funk, noir-pop, early rock ‘n’ roll and something delightfully unclassifiable.
Asheville is about to get pied — in the hand. Business partners Vincent Gagnon and Matt Bailey, who recently launched a Kickstarter campaign to fund their business opening, have lofty goals of becoming Asheville’s first exclusive pie purveyors.
Vocalist Nastasia Griffin grew up in Asheville but is currently based in Los Angeles pursuing her music career.
While musicians with alter egos are nothing new, a full-band alter ego is. We’re not talking stage names here, but rather a made-up booking agent: “He’s British. He wears a three-piece suit. He wears a monocle.”
In an ongoing effort to connect those dispersed communities, the Appalachian Studies Association held its 38th annual conference last month in Johnson City, Tenn. The one-of-a-kind event unites scholars and musicians, activists and academics, to celebrate the often misunderstood region’s distinctive heritage, culture and physical landscape.
Where do you go when you aspire to more than Western North Carolina can offer? For these four former Ashevilleans, the answer was Los Angeles.
Initial tracking for We All Stay Hungry took place in Asheville at Sound Temple Recording Studios, with the bulk of recording, overdubbing, mixing and mastering completed at Eagle Room. A single, “The Best in You,” featuring a guest vocal by local sensation Lyric, was released on April 1.
If only Matt and Kim had a dollar for every calorie burned onstage. With the release of album New Glow on Tuesday, April 7, the strikingly energetic dance pop duo take their knack for interactive creativity to new heights.
Place The Honeycutters and Foul Mouth Jerk side by side and one can’t help but notice their differences. The former play country roots music while the latter raps and, unless one puts undue emphasis on the “cut” of Honeycutters, even their names reflect opposite sensibilities. But beyond these sonic and stylistic splits, the two Asheville acts have a substantial amount in common.
Lowland Hum, composed of indie folk musicians Daniel and Lauren Goans, has been churning out sweet and artsy material since the couple’s 2012 nuptials.
There are nights in Asheville when all the shows you want to see are happening at once, and you have to make tough choices. Then there are nights when all the bands you want to hear (or at least many of them) are playing on one stage.
“Sausage Party was born out of a really slow February,” says chef Dan Silo of MG Road’s newest pop-up restaurant. “One night I was sitting at home trying to get re-inspired and figure out something fun to do and realized all of my ideas were in the context of making sausage.”
This year, on Saturday, April 18, record stores around the world will take part in the hallowed event. That mainly entails promotions, but there are also in-store events and a list of titles released only at record stores.
Each week, Xpress highlights notable WNC crowdsourcing initiatives that may inspire readers to become new faces in the crowd. This week features the Fox and Beggar Theatre’s art fusion production, Noah Proudfoot Stockdale’s musical musings on love, improved resources for the Drum Heads podcast and a traveling documentary and art exhibit about estranged siblings’ visual art.