There’s an old saying that goes, “Theater has been failing for thousands of years.” The mid-2000s saw some lean times for the arts, and many theater organizations have struggled to maintain, reinvent and grow new audiences. But 2014 felt like a page had turned for the better on most counts. The arts in general (and […]
A curious cartoon by Charles Addams appeared in The New Yorker on April 6, 1938. In the single-panel drawing, a witchy woman in a low-cut, Gothic black dress and a tall butler resembling a Cro-Magnon man listened to a traveling vacuum salesman’s pitch in a crumbling, cobwebbed house. Over the years, Addams grew the cast […]
Gather ’round, folks — it’s story time. Asheville Community Theatre’s monthly storytelling series, Listen to This: Stories in Performance, closes its fourth season this week.
Dramady “Steel Magnolias” was first staged in ’87. The story, about a group of women in Natchitoches, La., was written by playwright Robert Harling around the death of his sister. The local production at Asheville Community Theatre is directed by Michael Lilly and runs through Sunday, Aug. 18. Fridays and Saturdays at 7:30 p.m.. Sundays at 2:30 p.m. Mother-daughter reviewers Becky Upham and Cicely Upham discuss.
The inaugural fashion show, a fundraiser for ACT, brought in 25 designers, over $7,000 and a little mystery as well. Read about who won and watch a slide show.
The week-long fundraiser begins this Saturday with the 2:30 p.m. staged reading of a play by Patsy Clarke and Ellen Landau. Clarke has a long local history, including performing in Asheville Community Theatre’s first play in 1946. This is not only a world premiere for “Last Stop, Old,” but a homecoming for Clarke. Photo by Rob Storrs.
Mark your calendar: Asheville Community Theatre holds a costume sale on March 17. Photo by Ewa Skowska.
This year’s holiday offering (by playwright trio Jones Hope Wooten) opens on the lobby of the Snowflake Inn in Tinsel, Texas where it’s Christmas 365 days a year. (The premise is that year-round Christmas is a good thing, FYI.) The show runs at ACT through Sunday, Dec. 4.
A 14-member cast, a fantastic set and a 70-year-old play are just part of what make ACT’s production of Arsenic and Old Lace both delightful and (at times) chaotic.
The play is smart, and this production is good fun. But you see the challenge: how does one play a character well who is himself playing a character but doing it badly? Or what’s the difference between terrible acting and acting terrible?