DRIVING MISS DAISY: Ronnie Pepper (Hoke) and Pamela Gilmer (Daisy) will star in Asheville Community Theatre's upcoming production of the Broadway play.

Smart bet web extra: Driving Miss Daisy

Asheville Community Theatre will stage Driving Miss Daisy, the Pulitzer Prize-winning drama by Alfred Uhry. Set mostly in Atlanta, just prior to the Civil Rights Movement, Driving Miss Daisy shares the story of the relationship between an elderly white Southern Jewish woman, Daisy Werthan, and her African American chauffeur, Hoke Coleburn, over the span of 25 years. […]

"The Road Kill Dress," designed by Melaine Murrah and modeled by Molly Roberts-Rego at Costume Drama at Asheville Community Theatre (Carrie Eidson/ Mountain Xpress)

In photos: Costume Drama brings high-fashion DIY to ACT

Asheville Community Theatre reprised their fundraiser Costume Drama: A Fashion Show for a third year on Monday, July 7. Designers and models from throughout the Southeast participated in the DIY runway event where they were challenged to create wearable art in themed categories: paper, nature, upcycled/recycled or — new this year— transformation.

She said, She said: Asheville Community Theatre’s Steel Magnolias-attachment0

She said, She said: Asheville Community Theatre’s Steel Magnolias

Dramady “Steel Magnolias” was first staged in ’87. The story, about a group of women in Natchitoches, La., was written by playwright Robert Harling around the death of his sister. The local production at Asheville Community Theatre is directed by Michael Lilly and runs through Sunday, Aug. 18. Fridays and Saturdays at 7:30 p.m.. Sundays at 2:30 p.m. Mother-daughter reviewers Becky Upham and Cicely Upham discuss.

Review of Rent-attachment0

Review of Rent

It’s easy for community theatre to play it safe, and though Rent is a 15-year-old play and its themes may not seem daring to some, it could be very risky for a community theatre whose audience is often assumed to be conservative.

Review of Noises Off-attachment0

Review of Noises Off

The play is smart, and this production is good fun. But you see the challenge: how does one play a character well who is himself playing a character but doing it badly? Or what’s the difference between terrible acting and acting terrible?

Review of Little Shop of Horrors-attachment0

Review of Little Shop of Horrors

If you love musical theater and your companion most certainly does not, try dragging them to this production. It contains exactly what many who do not enjoy musical theater so often miss—darkly comedic plotlines, absurdity and an over-the-top campy aesthetic that is hard to resist.