The Man Who Came to Dinner, a chaotic comedy about the worst house guest in the history of house guests, in onstage at Asheville Community Theatre through Sunday, April 24.
Organic Armor is hosting an introductory costume-making workshop Saturday and Sunday, April 16 and 17; Asheville Community Theatre uses volunteers to help with its costume making.
The Dr. Seuss-inspired musical runs on Fridays and Saturdays at 7:30 p.m., and Sundays at 2:30 p.m., until Sunday, March 6.
As written, Oleanna forces us to contemplate our thoughts on other cases of sexual harassment and alleged rape. Where should the line be drawn, and what is going too far? What truths do we not see behind the closed door?
Standouts include An Iliad, Art, Young Frankenstein and more.
The mark of a great holiday show is finding one that is both entertaining and heart warming. Asheville Community Theatre has just such a show with its latest offering, The Best Christmas Pageant Ever. It runs through Sunday, Dec. 20.
There is one place where the holidays work out perfectly (or perfectly imperfectly): on the stage. And this year, local theater companies are pulling out the stops.
Judging from the large crowds who fill the auditorium with their even larger laughter, ACT clearly has another hit on its hands with Young Frankenstein. The show runs through Sunday, Oct. 25.
This week’s events include a 40th anniversary celebration of Monty Python and the Holy Grail as well as screenwriting and digital cinematography workshops.
Born from Asheville Community Theatre’s desire to attract a wider audience, this competitive runway show sees 40 local designers vying for titles in four zany categories: tape, nature, inflatables and Christmas in July.
This week: Screening of silent film classics, cult favorites and Beer Week docs.
“It’s a strange process; it’s like osmosis,” says producer, writer and director Waylon Wood of his latest play, Letters and Notes Found on the Windshield at the Piggly Wiggly Parking Lot. It opens at Asheville Community Theatre’s black box performance space 35below on Friday, May 8.
Before a word is uttered on stage, the audience is awe-struck by the set. Constructed by Jack Lindsay, it fills the wide ACT stage. It looks and feels like it has been plucked out of New Orleans circa 1950 and dropped into downtown Asheville.
The inaugural Asheville Amadeus Festival — which runs March 17-22 — sees the Asheville Symphony Orchestra team up not only with Highland Brewing Co., but also with local groups ranging from N.C. Stage Company and the Asheville Art Museum to the Blue Ridge Orchestra and the Unitarian Universalist Congregation of Asheville.
The musical A Chorus Line ran on Broadway from 1975 to 1990 and won practically every award that existed for theater during its run. Asheville Community Theatre’s production is presented by Aloft, and runs through Sunday, March 1. It’s directed by Chanda Calentine with musical direction by Gary Mitchell and choreography by Tina Pisano-Foor. Mother-daughter […]
“A Chorus Line is a brilliantly complex fusion of dance, song and compellingly authentic drama,” reads a press release for the forthcoming Asheville Community Theatre production. Directed by Chanda Calentine and originally created by Michael Bennett, this Tony Award and Pulitzer Prize-winning musical affords audiences “a behind-the-scenes look at an audition process as well as […]
Volunteers come in all shapes and sizes, with skills ranging from data entry to hair and makeup design. Whatever your interests, talents or passion, there’s likely a nonprofit or community group in WNC that could use your help. To get you started, Xpress has rounded up 10 area groups seeking volunteers for 2015.
If you start thinking about musical theater, images of chorus lines, detailed dance numbers or elaborate Broadway sets probably come to mind. But then there are musicals like John & Jen, a two-person show projected against the backdrop of heavy topics like abuse and the Vietnam War that demand a gentle touch.
Were it not for a roving pack of wild Mexican dogs terrorizing the cats, chickens and goats outside Waynesville, one of Asheville’s premier sketch comedy troupes would have been called either Kumquat or Footskin Follies. Instead, Tommy Calloway overheard a friend’s account of these strange savage attacks and promptly dubbed his group The Feral Chihuahuas. […]
A curious cartoon by Charles Addams appeared in The New Yorker on April 6, 1938. In the single-panel drawing, a witchy woman in a low-cut, Gothic black dress and a tall butler resembling a Cro-Magnon man listened to a traveling vacuum salesman’s pitch in a crumbling, cobwebbed house. Over the years, Addams grew the cast […]
It’s hard to say if the Addams Family (the cartoon, the TV show, the movie) translates successfully to the musical format. The answer is is subjective and depends upon the viewer’s feelings about music theater and/or Addams-brand noir-schtick. There’s something jarring around the gloriously macabre Addamses cavorting and bursting into song. On the other hand, […]