The week after the opening of the new indie film, Frances Ha, Ken Hanke interviewed the film’s star and co-writer, Greta Gerwig. This is the interview in full.
A friend of mine who saw all three of last week’s releases (that’s one up on me) told me he’d convinced himself he didn’t see any new movies last week. His ability to block things from his mind is greater than mine. Plus, apart from this week’s art title, I see no great hope that this week is going to any better. However, that art film, Frances Ha, makes up for much.
You know it’s a pretty dire week when the thing I’m most looking forward to is Fast & Furious 6. (And you can imagine how much it pains me to type those words.) There’s not even a single new art title to brighten the weekend (no, last Friday’s ActionFest offering, Java Heat, going to a full run doesn’t count) — merely three mainstream movies I find it hard to get jazzed about. These are the conditions that prevail.
Beginning April 19, ActionFest will once again bring the best in world action cinema to Asheville — this time with a monthly ActionFest Film Series, the first of which will benefit Homeward Bound.
It is, I think, safe to conclude that the art films have it this week. We have two of those (it was three, but the third got wisely moved to next week) and two mainstream titles. The art titles are very choice indeed. The others — one I’m skeptical of, the other I’m confident will be just plain ghastly.
Regardless of how you feel about it, last week’s Oz gave the box office a much needed jab in the lassitude. While this week does have one really choice—and really specialized—title, that won’t have any bearing on national figures, it looks likely that Oz will top the box office again. But we’ll see.
Here it is: the biggest, the bestest, the baddest roundup of the year. Once again, Mr. Souther and I have worn ourselves to a frazzle — two frazzles, in fact — sifting through the excitement (and occassionally, the excrement) of movie year 2012. We will please some, displease others, and probably make a few folks downright peevish.
Much like last week, this one is not exactly bubbling over with titles. In fact, we once again find ourselves faced with two movies. Unlike last week, there’s no sense here of movies being brought in just to put something new up on those screens. Indeed, these are movies people — not necessarily the same people — have been waiting to see.
Usually by this time of the year I’ve started giving some thought to what’s likely to qualify for a “Best of” list come the year’s end, but the truth is that so far the pickings have been what you’d call lean. We’ve had one sure thing and a couple of maybes — and leave us face it, that’s not so hot for a year that’s racing toward being half over. With that in mind, I’m pleased to announce that one more strong candidate opens this Friday. There are also three other titles that are not strong candidates.
A documentary! Animation! Science Fiction! Heart-warming comedy! No, they’re not all in one movie (but, boy, there’s an idea for you). They are, however, all coming our way this week. They do say that variety is the spice of life. Now we shall see if it’s the spice of moviegoing.
It’s a two and two week — two mainstream titles and two art titles (there’s a flood of art titles just now), and all in all, it looks like the art titles are the better deal, though it’s just possible that one of the mainstreamers will be a pleasant surprise. The other one? Far less likely. In fact, it’s so less likely that no one booked the lesser one after all. However, something else is!
Only three movies come our way this week. Two of them look … well, pretty grim — or so it seems to me. The third is something else altogether — and something that does much to make up for the other two. Some may disagree.
In this episode, the Bastards examine megahit superhero movie The Avengers.
Ready for another rambling podcast about movies? We thought you might be.
A singularly slack week is upon us — at least in terms of quantity. We’re only looking at one mainstream release and one art title. Of course, most the world is likely to be resting up after the headlong rush to shell out big bucks to see The Avengers last week. But the week’s two new offerings have something to be said for them.
Probably only a mere handful of us care that anything other than The Avengers is opening this week — and those of us who care about those other things probably are pretty ambivalent about The Avengers. It evens out. But the fact remains that there indeed are other things, and some of them are mighty tasty.
After a five-month hiatus, the Elitist Bastards Go to the Movies are back!
This is a week of riches where the art titles are concerned. It’s not all that unusual that we get three art movies in one week. It is unusual when we get three of them I’d classify as being in the “must-see” realm. And it’s even more unusual when it happens in April. For that matter, there are also four other movies of the mainstream variety headed our way. Offhand, they seem likely to be shy of the “must-see” realm.
Now that ActionFest is over (not that I got to deal with much of it — something easily explained when you see the volume of reviewing in this week’s paper), things can get back to normal. Judging by the week’s mainstream releases that may not be such a good thing. Thank Clapton for “art house” titles.
OK, look: It’s ActionFest weekend— what more do you really need to know prior to Monday? There are more movies than you can shake a stick at (if you care for that sort of thing) without having to even consider the rather grim prospect of such things as The Three Stooges. And I’ll be taking a sneak peak at that tomorrow. But for now, let’s go ahead and consider the week on the whole.
It’s not exactly what you might call a happening week — unless, of course, you have a burning desire to see Titanic with a coating of 3D. Otherwise, it’s down to two art titles and one mainstream milking of an elderly cash cow. It could be worse. No, it has been worse.