Part experimental, part indie-pop, Kisses to the Sky — the new release from N.C.-based collective Oulipo is as risky as it is dreamy. The album “takes inspiration from the studio pop melodrama of Talk Talk, Phil Collins, and the two Bruces (Springsteen & Hornsby)” says the group’s Bandcamp page.
“Half a Heart,” the lead track to the self titled debut EP from local indie-soul outfit Magenta Sunshine, might have a sad-sounding name, but it plays like a tropical beach party.
Stars and Dust, the new album by Songs of Water (out in June), is not easy listening — which is not to say it’s un easy listening. But these 10 tracks demand attention. From the first staccato notes of “11 Miles,” the album is a journey, transportive and transformative.
Local pop-punk outfit Running on E gets right to the heart of the matter. “Don’t waste away, don’t burn away the light that I refused,” sings vocalist Nick Norton in the urgent opening notes of “Vagrants and Vagabonds.”
Dark clouds form, roil and drift through Out from the Harbor, the new album by Nikki Talley. It’s a moody collection, though the barometric pressure is impressive rather than oppressive.
Each of the 13 tracks on Adrienne Ammerman’s new album The Hunt is relatively short and minimalistic, too — allowing for the melody to be carried by Ammerman’s voice. And that’s the magic of this record.
From the knuckle-pop percussion and the fuzzed-out opening lyrics of “The Kids,” Fashion Bath‘s newest release, Sunday Best is full of intrigue, dark shimmer and reticent importance. The EP is a mix of astute alt-pop (like “The Kids,” with its almost-slowdance beat and buzzy, heady melody) and explosive, driving noise-rockers (like “Funny Feeling,” with its […]
One of the wonderful (and sometimes confusing) things about instrumental music is how open to interpretation it can be. While lyrics and instrumentation go hand in hand, the introduction of words does effectively contextualize a song. Of course there are other markers — rhythm, key, the instruments being played — that set a mood, but […]
The entire six-song collection, is as much about the orchestration of Griffin’s voice in collaboration with the instrumentation, as it is about the lyrics. Tender strings offer poignant accents, but it’s the low, almost whispery bowed bass that’s the happiest surprise.
1UP, the new record by Western North Carolina and Greensboro-based Seers is an unabashedly weird, inspired, fantastical, bizarre and transcendent collection. The nine-track album is just part of a larger project — released by the collective Nomad Staff — including short films and music videos. The combination is a slide down a rabbit hole of […]
The Stump Mutts’ newest album, We Can All Relate (released in November), takes its title from the chorus of the track, “Ignorance Bring Bliss”: “Hey, we can all relate. Let’s sing along and play, don’t question anything.” That song, a driving — though mid-tempo — rocker pairs heavy bass (John Lindsey), guitars (Neal Ward and […]
Sidecar Honey is the songwriting trifecta of Dave Dribbon, Jeff Honeycutt and Randy Dzielak — a self-described “down home roots sounds with an original modern edge” outfit. But what makes this Americana act (in a sea of roots-music bands) a stand out is the smart juxtaposition of shrewd songwriting and high-energy rhythm. Not that Sidecar […]
With song titles like “High Mountain Pass” and “Land of the Sky,” you might think that American Hollow, the latest effort from local four-piece Bask is a bluegrass offering. You would be wrong. From the opening guitar riffs of “High Mountain Pass,” the album asserts itself with coiling intensity and crushing percussion. On its Bandcamp […]
Already Nothing, the new EP (and third album) by local noise-rock trio Telecine (Andrew Larson, Steven Teague, Jon McDuffie) is, actually, a lot of something. In under 30 minutes, the scopic project crashes and drifts through moods and vistas. It’s at once aggressive and aloof, tightly-coiled and unpinned, gritty and refined. The album, recorded in Haywood […]
The new split album by Asheville-based Wes Tirey and Andrew Weathers (from Oakland, Calif. by way of Chapel Hill, N.C.) is titled, aptly, split. And while the Scissor Tail Records release is a mere three tracks, don’t expect a quick listen. The shortest song clocks in at over 10 minutes. But this folk and drone […]
There’s no easing into “Nashville Flood,” the lead track of Big Daddy Love‘s new album, This Time Around. In fact, that driving rocker — complete with The Turkuaz Horns — posses a kind of polished grit and music business savvy that seems a major departure from past Big Daddy Love offerings. But this is a […]
Shane Perlowin is prolific. His new solo album, Odei, follows less than a year after his last release, Anatomy of a Moment, with percussionist Tatsuya Nakatani. Also in that eight months or so, Perlowin toured in Europe, composed sheet music and begat an heir — hence Odei‘s spritely-if-contemplative middle track, “Is That You My Daughter […]
There are plenty of couple acts cutely reenacting Sonny and Cher, Johnny and June, Ike and Tina. It’s a thing on which countless publicists have attempted to capitalize: “Not only are they married, they also write and perform together!” But while the Crushed Outs and the Johnnyswims and the Holly Golightly/Lawyer Daves of the touring […]
Local singer-songwriter Paul Edelman’s February release is a pitch-perfect collection, inspired largely by travel — in both the exterior and interior sense. The 10 tracks stitch dusty Americana and gritty folk-rock with jangly guitar and the kind of songwriting that hits sharp and sticks strong as a stubborn splinter. In the very best way.
The thing about a Kishi Bashi concert is that you don’t necessarily have to be familiar with the songs to get the show. In fact, there’s something to be said for coming into contact with a Kishi Bashi (the project of singer-songwriter/violinist/composer K Ishibashi) song for the first time. They’re not so much songs in the verse-chorus-verse sense as tiny worlds encapsulated in sound that ranges from bubbly pop to sweeping classical composition. The Athens, Ga.-based musician played The Grey Eagle on Tuesday in advance of his new album, “Lighght”; Tall Tall Trees opened.
Local musician/composer Danny Peck, aka dep, releases his most ambitious album to date on Thursday, March 20.