Haywood Arts Regional Theatre opened its impressive new facility, the Fangmeyer, with Stephen Sondheim’s musical Into The Woods. The show, which runs through Sunday, Oct. 16, gives local audiences a chance to see the legendary fairy tale mash up in an intimate setting.
Outside under the stars seems a perfect fit for Jane Austen’s classic romance, Pride and Prejudice, onstage through Saturday, Sept. 24.
This delightful romp that takes the stage farce form through its madcap paces. The play runs through Saturday, Sept. 24.
This is the story of three Mississippi sisters who’ve drifted apart, but when Babe shoots her abusive husband, tongues start wagging all over town. This stirs wild, wandering songstress Meg homeward to their grandfather’s house where their faithful sister Lenny has been a caregiver.
Arthur Miller’s first big-hit play, All My Sons from 1947, is an intimate and moving tale of a munitions manufacturer in Ohio following World War II.
The show is lighthearted, fun, silly and filled with laughs for children and their parents. It works well on many levels. The songs are creative and charming.
The musical version, by Dolly Parton and Patricia Resnick, is now showing on Flat Rock Playhouse’s main stage through Saturday, Aug. 20.
Parkway Playhouse was forced to replace West Side Story with Grease, having lost the rights to the former when the authors boycotted North Carolina in protest of House Bill 2. Grease may ultimately be the better pick.
Tarocco is a quintessentially Asheville production. Part play, part dance and part circus, it uses the fool’s journey of the tarot to tell the story of a wounded World War I soldier, played by Ross Daniel, as he lies dying behind enemy lines.
The show is a tour de force for two actors, who assume the identities of the population of Tuna, Texas. It is a small town with the kind of colorful characters who would feel right at home at a Donald Trump rally.
The story, by Meredith Willson and Franklin Lacey, is set in River City, Iowa, during the summer of 1912. When a clever con artist known as Professor Harold Hill, played by Brian Robinson, steps off the train, he means business. This classic musical is performed through Saturday, July 9.
The show contains adult language and delves into issues of racial relations. HCT is to be commended for its courage, and applauded for the deft execution of such delicate material.
Though there’s a carnival theme to Sideshow, the new production by Dark Horse Theatre, onstage at N.C. Stage Company, it’s not intended for children. The series of vignettes, each interpreting one of the seven deadly sins, is dark and disturbing.
Different Strokes Performing Arts Collective delivers another socially minded, thought-provoking production with an intriguing Martin Luther King Jr. drama.
Haywood Arts Regional Theatre’s production, onstage through Sunday, June 12, is visually spectacular and a charming show.
Most people know Arthur Miller’s 1949 Pulitzer-winning drama, Death Of A Salesman. The play is almost part of our collective DNA. Yet audiences will be surprised by the new production that is underway in the River Arts District.
Despite flaws, the fun was infectious and TLT’s packed audience was in love with this hit production.
The show is a lean, mean 90 minutes, with no intermission, and leaves the audience on its feet, cheering by the end. It manages to tell the compelling tale of the early days of rock ‘n’ roll, while also feeling intimate.
If you enjoy Southern-fried comedy, plucked right out of a family reunion in a Texas trailer park, then Haywood Arts Regional Theatre’s 2016 season opener, The Red Velvet Cake War, is right up your alley. It’s onstage at Haywood Arts Regional Theatre through Sunday, April 17.
The play, performed at at N.C. Stage Company through May 1, theorizes that a different breed of people exist past the midnight hour.
For those turned off by classical theater, Montford Park Players 44th season opener, staged at the gorgeous Masonic Temple, may change their outlook altogether. An Evening Celebrating Shakespeare includes the one-act plays The Dark Lady of the Sonnets by George Bernard Shaw and The Upstart Crow by Vincent Dowling.