In a brave new production of Diana Son’s play Stop Kiss, the audience is confronted with the uncomfortable reminder of how recently we, as a society, were far less accepting of same-sex relationships. And, while not as shocking as it may have been a decade ago, Stop Kiss still has major impact. Not so much […]
“Let’s watch.” These words commence the evening’s performance at Playback Theatre. Actors come forward, improvising as they go to illustrate a story. Audience members will likely resonate with the unfolding tale because it is, after all, their story. Within this theatrical environment, actors and audience participate in a night of theater and storytelling that can […]
La Reina doesn’t have a genre to contain it. The show features a collage of ancient texts and travels from Antiquity, the Golden, Classical and Dark Ages, to the Medieval and Reformation period. Using shadow puppetry, brightly-illuminated backdrops, stunning costumes, movement-theater and a live electronic soundscape, the production takes on a dream-like quality. It is as if a wild, somewhat surreal vision is playing out before the audience, and its tempo is slow and unhurried.
Dramady “Steel Magnolias” was first staged in ’87. The story, about a group of women in Natchitoches, La., was written by playwright Robert Harling around the death of his sister. The local production at Asheville Community Theatre is directed by Michael Lilly and runs through Sunday, Aug. 18. Fridays and Saturdays at 7:30 p.m.. Sundays at 2:30 p.m. Mother-daughter reviewers Becky Upham and Cicely Upham discuss.
Last chance to visit Neverland: The Burnsville theatre stages three more performances on July 11, 12, and 13 at 7:30 p.m.
“Kiss Me Kate” runs on Friday and Saturday evenings with a Sunday matinee through June 30th. This Cole Porter musical opened on Broadway in 1948 and it earned the Tony for Best Musical. The story within a story weaves together a musical production of Shakespeare’s The Taming of the Shrew with the on and off-stage relationship between Fred Graham, (played by John C. Hall) the show’s director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi (played by Wendy Morrison.) Mother-daughter reviewers Becky Upham and Cicely Upham discuss the local production.
Contortion and mime duo Button Wagon returns to Asheville’s BeBe Theatre this weekend with new show “Trash Rabbit.” Shows on Friday, Saturday and Sunday.
After two years in business, The Magnetic Field will end its restaurant and bar operations and focus on the theater.
Football-themed play “Between the Tackles,” which opened last weekend at Burnsville’s Parkway Playhouse, is clearly a pick six, both in terms of fast paced acting and of gut wrenching humor.
The plot is ignited by the sheer star power of its two main actors. Tracey Johnston-Crum is luminous. James Meador’s delivery is precise and pointed.
Don’t believe all that can be accomplished by one actor, some able directing and a sensational set? Then what you must do is come see this R. Buckminster Fuller, early, so there is time to come back and see it again.
Asheville Sister Cities presents three opportunities to learn about the Mesoamerican civilization, including a lecture and dinner catered by Mamacita’s Baja Kitchen on Aug. 23, and the U.S. premiere of “Palenque Rojo,” a dramatic production of dance, ritual and costume, on Sept. 8 and 9. Advance tickets are available.
It’s a one-hour, one-man show that pays tribute to the great folk singer Woody Guthrie, at the same time as endearing his story, music and motivation to a contemporary audience.
The week-long fundraiser begins this Saturday with the 2:30 p.m. staged reading of a play by Patsy Clarke and Ellen Landau. Clarke has a long local history, including performing in Asheville Community Theatre’s first play in 1946. This is not only a world premiere for “Last Stop, Old,” but a homecoming for Clarke. Photo by Rob Storrs.
It’s all a frothy dessert for a summer evening, with more substance than you thought when you were spooning it in.
Forty Fingers & A Missing Tooth stages its first full-length production at The Magnetic Field starting this Thursday, June 14.
Onstage now at UNCA’s Carol Belk Theater, the all-student production of Tartuffe, or The Imposter, packs in everything a good play must: sex, betrayal, religion, humility, delusion, and demise.
Plays about life in the theater can feel a little cliché — the easy image of the play-within-the-play dating back to Shakespeare, and beyond. For an audience of non-actors, such storylines can be a little too self-absorbed to be relatable. Fortunately that’s not the case with Love Child, now at N.C. Stage.
The Feral Chihuahuas fortel the end of the world in “The Chihuacolypse,” running two weekend at BeBe Theatre.
The fast-paced if somewhat chaotic action features bizarre aliens, cool ray guns, girls in tight outfits, a loquacious robot, spaceships and fire-fights, a Chinese dragon ride across a desert planet, an intergalactic zookeeper, copious pseudo kung-fu and/or quasi ninja shenanigans, puppetry so bad it’s good, and an implement of “enhanced interrogation” I’ll call a tickle drill.
Solstice is funny. It is tragic without somberness, moving without sentimentality. It’s squalid, but without a trace of self-pity. … It allows its characters to be fatally screwed up and sublime at once, and the list of playwrights who can do that is short indeed.