Chuck Lichtenberger celebrates a solo album release

OUT OF THE BOX: Chuck Lichtenberger bounces back with an idiosyncratic collection of pop songs and musical vignettes for his latest solo album, 'This Is What Happens When ...' The album release will be celebrated with an April 8 performance at The Mothlight.
OUT OF THE BOX: Chuck Lichtenberger bounces back with an idiosyncratic collection of pop songs and musical vignettes for his latest solo album, 'This Is What Happens When ...' The album release will be celebrated with an April 8 performance at The Mothlight. Photo by Sandlin Gaither

The last few years have seen a lot of changes for songwriter and keyboardist Chuck Lichtenberger. His marriage and band ended, and he faced some serious mental health issues; all of this played out in a very public manner. This Is What Happens When …, his latest solo album, addresses — in unyielding and candid fashion — some of those issues, making for an unusual, yet intriguing and rewarding, listen. Lichtenberger will celebrate his album launch with a Sunday, April 8, show at The Mothlight.

Lichtenberger is the first to admit that he likes things a certain way. “I like being really prepared,” he says. “I like keeping a schedule. It keeps me sane and it makes me productive.” So the degree to which he gave producer Jonathan Scales free rein in making this album is remarkable.

A year and a half after the series of tumultuous events he experienced, Lichtenberger feels he’s in a much better place. “And because I’m fully accepting of myself now,” he explains, “I’m able to give somebody else that kind of control of my record.”

Scales and Lichtenberger are longtime friends; Scales played on a few stephaniesid projects (that local pop-noir band in which Lichtenberger was a major collaborator), and the two admire each other’s musical approach. When the album project began, Lichtenberger gave Scales demos of 50 original songs. “And he culled it down,” Lichtenberger says. “He said, ‘Here’s the 20 we’re gonna use.’”

The end result is quite different from what the keyboardist originally had in mind. “I thought maybe I’d be making an instrumental record,” Lichtenberger says. “Half of the tunes I gave Jonathan were instrumentals.” In the end, Scales chose only one lengthy instrumental piece, “Undiagnosed,” to which an a cappella introduction would be added.

The other initially wordless compositions were brief snippets. “I asked Jonathan, ‘Do you want me to flesh these out?’” Lichtenberger recalls. But Scales told him, “No, these are going to be the interludes.”

In its finished form, This Is What Happens When … is a collection of songs in a variety of styles — some with a character who will be familiar to fans of another of Lichtenberger’s former bands, The Archrivals — with brief, linking tracks. But the interludes feature Lichtenberger’s spoken-word performances on top of the instrumental tracks.

The keyboardist’s forthright manner of dealing with traumatic episodes in his past characterizes many of the interludes. “At first, I was like, ‘Oh, that makes me feel uncomfortable,’” he says. But once Lichtenberger started coming up with the words for those interludes, it was Scales’ turn to express reservations. “He was like, ‘Oh, that’s too much,’ and I was like, ‘That’s what I wrote, dude.’ And then he got comfortable with it.”

Lichtenberger says that eventually both he and Scales became convinced they were going in the right direction. “We just kept upping the ante back and forth,” he says.

Half of the tracks on This Is What Happens When … are vignettes overlaid with Lichtenberger’s frank — and occasionally funny — storytelling. The album opens with “Fifteen,” a tale of teenage frustration. “African American” is a kinetic drum solo with Lichtenberger’s nervy spoken-word on top. “Twenty-two” is a fetching lounge-jazz number featuring a brief tale that quickly unravels. And “Somewhere on a Highway in Texas” weds an atmospheric piano piece to what sounds like someone reaching the end of his emotional tether.

But This Is What Happens When … has bouncy pop tunes, as well, like “Forever” and — despite its title — “Throw Up.” Lichtenberger’s gift for off-kilter melodies that remain accessible is the musical thread that holds the album together. Most of the arrangements are built around a spare trio: Lichtenberger on piano and vocals plus Jay White on guitar and drummer Shariq Tucker. Other friends help out on selected tracks; Jonathan Pearlman turns in a searing lead guitar solo on “Nighttime.”

Lichtenberger admits that he’s not sure how he wants listeners to take his latest collection of songs. “I don’t even know what I want to have happen,” he says. “You can listen to the lyrics and get into that aspect of it. I’m hoping it can be treated like a singer-songwriter record and a rock record.”

WHO: Chuck Lichtenberger with Adam & Kizzie
WHERE: The Mothlight, 701 Haywood Road, themothlight.com
WHEN: Sunday, April 8, 8 p.m. $8 advance/$10 day of show

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About Bill Kopp
Author, music journalist, historian, collector, and musician. His first book, "Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon," published by Rowman & Littlefield, is available now. Follow me @the_musoscribe

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