Heavy Mountain Fest spotlights local metal music

CALLING FORTH THE THUNDER: The inaugural Heavy Mountain Fest aims to cultivate the thriving metal scene in Asheville, while drawing a wider audience by booking regional and national acts for the two-day event. Bask, pictured, is one of the local acts on the bill. Photo by Garrett Williams

Asheville is known for its thriving folk/roots music scene. But — perhaps especially in recent years — the city has also become an incubator for many other musical styles. With a goal of supporting and spotlighting a particularly thunderous brand of rock, local musician and nascent promoter Ray Worth has launched the Heavy Mountain Music & Beer Fest. Featuring 10 bands, the metal festival takes place Saturday, Sept. 1, at the Mothlight and Sunday, Sept. 2, at The Orange Peel.

Metallurgy

Worth plays guitar and sings in Bask, his own rock band. And he works at The Orange Peel, which gives him a good perspective on the local music scene. He laughs when he says that he’s put in “eight or nine years of market research” into the viability of a hard rock festival in Asheville.

When he moved here a decade ago, Worth notes, hard rock and metal choices came in two flavors: “You saw local bands in 100-capacity rooms, or you could go see Megadeth at The Orange Peel.” There were no venues that booked hard rock for local audiences of 250-500 people, “But I’ve seen this middle market for heavy music grow in Asheville,” he says.

Watching venues such as The Mothlight and The Grey Eagle thrive while booking hard-rocking artists who draw those size crowds, Worth felt it was time to mount a venture that would appeal specifically to the local interest in metal.

The Heavy Mountain Fest will be held in Asheville, but Worth hopes to attract fans from out of town as well. “It’s structured to draw people from Charlotte, Knoxville, Johnson City and all around,” he says. Worth made a point of crafting a lineup that showcases a wide array of styles: The bill includes two local bands (Bask and Temptation’s Wings) and two other North Carolina acts (Wilmington-based Toke and Green Fiend from Charlotte).

The two-night event also features four bands from across the Southeast: Black Tusk (Savannah, Ga.), Inter Arma (Richmond, Va.), Young Widows (Louisville, Ky.) and Tampa, Fla.-based Obituary. Sunday’s lineup includes a pair of acts from California: Exmortus and High on Fire.

Worth believes Asheville is ready for a metal festival of this scale. “More bands are being developed locally, and there’s a strong sense of community among them,” he says. “A lot of metal fans are seeing that as well, and they’re going out to shows. And that’s making it all work.”

He describes the local audience for his favored brand of rock as “an open-minded metal crowd scene” that appreciates many different kinds of metal, from doom/stoner to alternative to avant-garde.

With the Heavy Mountain Fest, Worth seeks to introduce that scene to the wider community, and he’s aiming to make the experience rewarding for the artists. “It’s important that each one of the bands walks away from the festival saying, ‘We want to do this next year,’” he says. Planning for a second Heavy Mountain Fest will start “the morning after this one finishes.”

Worth adds, “There’s intent to grow, but for this year, it’s important to come out hard, come out quick, come out swinging.”

CRUSH THE WEAK: Comic-book gothic themes are the specialty of Temptation's Wings, one of two local acts featured in the stylistically wide-ranging metal festival. Photo courtesy of the artists
CRUSH THE WEAK: Comic-book gothic themes are the specialty of Temptation’s Wings, one of two local acts featured in the stylistically wide-ranging metal festival. Photo courtesy of the artists

Into the maelstrom

Taking its name from a song by doom/stoner metal band Down, Temptation’s Wings has carved out a distinctive niche for itself. With a sound that’s equal parts theatricality and aggression, the band complements its instrumentation with lyrical and album-art aesthetics that might be termed comic book gothic, like one of Frank Frazetta’s Molly Hatchet album covers come to life.

“We’re into fantasy stuff as opposed to lyrics about everyday life: Lord of the Rings and Conan the Barbarian, and we like Marvel superheroes; sort of comic bookish storytelling,” says guitarist Micah Nix. The band’s lyrics about Vikings and witches are set against hypnotic, bone-crushing riffs and a monstrously precise rhythm section.

Temptation’s Wings came together a decade ago, coalescing around the lineup of Nix plus drummer Jason Gardner and bassist Chad Barnwell. Earlier this year, the group added Ryan Fox on bass; Barnwell moved over to guitar. The group released a pair of EPs — 2011’s WarMallet and Legends of the Tusk in 2013 — and debuted a full-length album, Skulthor Ebonblade, in 2017. “That was designed as a concept album,” says Gardner.

A live album, Savage Tales, recorded at The Grey Eagle, will see an official release in September

Though the musicians in Bask — guitarist Worth plus Scott Middleton (drums), bassist Jesse Van Note and Zeb Camp (guitar) — didn’t set out with a particular style in mind, the group’s sound is a hybrid of psychedelia, melodic Southern rock and Americana, with a rafter-shaking bottom end. “We never put ourselves in a box,” says Worth. “We just draw on where we grew up. Most of us were born and raised in the South; it’s in our blood.”

Formed five years ago, the quartet has toured Europe multiple times. “Our first show there was in Poland,” Worth recalls. That show was a huge success. “It just blew our minds, and it set the tone for the whole month over there.”

To date, Bask has released two albums. American Hollow, from 2014, established the band’s effective combination of mountain music themes (with titles like “Land of the Sky” and “High Mountain Pass”) and a sweeping, cinematic ambiance. Released in 2017, Ramble Beyond is an even more successful effort, melding nuance and thunder while maintaining an Appalachian feel. The album’s cover art is a nod to the legendary Brown Mountain Lights phenomenon.

In both cases, the band wrote and recorded the music, delivering a finished product to the label. Worth chuckles when he recalls the reaction Bask got when bringing the American Hollow tapes to the record company. “Whoa. These dudes have only played, like, two shows and they already have a record?”

Both albums were created with vinyl releases in mind. “Everything was designed to be enjoyed and listened to on a record player,” Worth says. “That’s why it’s 20 minutes on each side of both records.” Bask is pursuing a record deal for its next release, which will be available on vinyl as well.

Worth says that Bask focuses on shifting dynamics. He explains: “Bring it down, make it sound a little like the Allman Brothers. And then step it up and sound like [Scandinavian metal heroes] Opeth.” But he notes that those influences are only obvious in hindsight. “We don’t say, ‘This is what it’s going to be like.’ It’s just how we write songs.”

Worth adds, “We don’t do a lot of screaming. Just a lot of clean vocals and melodies.” He says that the band’s music appeals to “open-minded metal-head guys … and their girlfriends.”

Worth laughs as he recalls some of the reactions his band gets when touring outside Western North Carolina: “‘How long is your set: 3 1/2 hours?’ Or, ‘You’re from Asheville? Where’s your banjo?’”

WHAT: Heavy Mountain Festival, heavymountainfest.com
WHEN: Saturday, Sept. 1, 7:30 p.m., $10 at The Mothlight (701 Haywood Road, themothlight.com)
WHEN: Sunday, Sept. 2, 5 p.m., $35 at The Orange Peel (101 Biltmore Ave., theorangepeel.net)

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About Bill Kopp
Author, music journalist, historian, collector, and musician. His first book, "Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon," published by Rowman & Littlefield, is available now. Follow me @the_musoscribe

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