Jon Stickley Trio schedules a hometown prerelease album celebration

SMELLS LIKE BLUEGRASS SPIRIT: The Jon Stickley Trio will preview songs off its upcoming album Maybe Believe — set to drop on May 13 — with a pre-release celebration show at The Grey Eagle.
SMELLS LIKE BLUEGRASS SPIRIT: The Jon Stickley Trio will preview songs off its upcoming album Maybe Believe — set to drop on May 13 — with a pre-release celebration show at The Grey Eagle. Photo by Heather Hambor

Despite a solid foundation in bluegrass and old-time, the Jon Stickley Trio has never allowed itself to be boxed in by the confines of mountain music. On the group’s latest EP, Triangular, as well as on its upcoming album and especially live onstage, the Asheville-based trio uses bluegrass as a jumping-off point for lively musical excursions. The Jon Stickley Trio previews its forthcoming record Maybe Believe with a special hometown pre-release celebration at The Grey Eagle on Friday, March 10.

“I do come out of the bluegrass background,” admits the band’s namesake, flatpicking guitarist Jon Stickley. But he says that as he and bandmates Lyndsay Pruett and drummer Patrick Armitage began developing their own music, the trio’s musical personality emerged. That character draws from musical traditions well outside Appalachia. Armitage studied under Dave King of the avant-garde group The Bad Plus and has a strong background in hip-hop. And “Lyndsay is classically trained and also plays jazz,” Stickley notes.

But the trio displays a healthy respect for tradition, too. “One thing we really try to do is honor the fundamentals that are so important to old-time and bluegrass music: the timing, the tones, the hard-driving rhythms,” says Stickley. Despite the adventurousness of the trio’s arrangements, Stickley says that he still often feels he’s “playing music that could be done around the campfire with a couple of other people who know the songs.”

Live onstage and in the studio, the trio aims to be “clear and present, like you would at a bluegrass jam,” Stickley says. If there’s a guiding principle to creating original music for the trio, Stickley suggests it might be something like this: “We try to stick to the parameters of what is right” from a music theory standpoint, “and then apply it to our own original songs.”

One of the characteristics that sets the Jon Stickley Trio apart from many of its contemporaries is the emphasis on instrumentals. “That was something that took shape over time,” Stickley says, noting that both he and Pruett do sing. “In the beginning, we [did] about 30 percent vocal material, but we were writing so much original instrumental material that we were gravitating toward that.” It wasn’t until the group started working with King on 2015’s Lost at Last that the musicians fully embraced an instrumental approach.

“We wanted to add a couple more vocal tunes to the three that we planned on recording,” recalls Stickley. “But Dave dropped a bomb on us.” King convinced Stickley and his bandmates that their instrumentals were a big part of what made them special.

“The vocal stuff was good,” Stickley says, “but it didn’t have the same power and integrity as the instrumental stuff we were writing.” They took their producer’s advice and went on to play several festival sets without any vocals.

“It felt so natural that we just ran with it,” Stickley says.

The trio continues that approach on its newest album. Maybe Believe is scheduled for release on Saturday, May 13, though advance copies will be available at the Jon Stickley Trio’s Grey Eagle show this week. Maybe Believe showcases uptempo numbers alongside what Stickley describes as “mellow, soundscape-y kind of chill tracks.”

And while the new album displays the trio’s skill at evoking a wide array of emotions through original material, the band often tosses a cheeky cover tune or two into its live set. Asked if the inclusion of Nirvana’s “Smells Like Teen Spirit” is some kind of musical statement about the irrelevance of genre classification, Stickley laughs. “It’s not to make any point at all, other than that you should have fun,” he says.

Whether it’s a left-field reinvention of a rock classic or an original composition, the Jon Stickley Trio excels at musical interplay; the musicians’ live approach might be described as controlled innovation. “There’s a lot of improvisation,” Stickley says, “but within a very defined structure of a tune.” All three players always know what — in a general sense — is coming next.

“We’re very conscious of who’s following whom and who’s playing the melody,” Stickley says. “We’re always trying to figure out how to diversify and make [music] that’s as interesting as possible with just three people.”

WHO: The Jon Stickley Trio with Blair Crimmins and The Hookers and Shane Parish
WHERE: The Grey Eagle, 185 Clingman Ave., thegreyeagle.com
WHEN: Friday, March 10, 8 p.m. $12 advance/$15 day of show

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About Bill Kopp
Music journalist, historian, collector, and musician. In that order? Perhaps. My book, "Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon," will be published in 2018 by Rowman & Littlefield. Follow me @the_musoscribe

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