Reed Turchi comes home to celebrate his new solo album, ‘Tallahatchie’

BLUES, PARTY OF ONE: The tumultuous events of 2016 led Swannanoa native Reed Turchi to take his music back to where it started. He plays a solo show at The Root Bar on Jan. 6. Photo by Allyse Gafkjen

It was only last February that Reed Turchi was making a trip back to Swannanoa, his boyhood home, for an album release party for Speaking in Shadows by his group The Caterwauls. Turchi was excited: new album, new band, new tour. Less than a year later, all of those things are well behind him. A series of major life changes for Turchi has resulted in the stark, stripped-down sound of his newest record, Tallahatchie. There’s one — and possibly only one — thing that he hasn’t changed: Turchi is coming back to Swannanoa to celebrate his latest album with a show on Friday, Jan. 6, at The Root Bar.

Last spring, The Caterwauls embarked on an extensive tour across the U.S. in support of Speaking in Shadows. “I had assembled a band that I was very pleased with,” Turchi says. And although the shows were well-received, the band unraveled. “Not because of anyone’s particularly horrible actions,” the musician explains. “But the usual life pressures pulled everyone apart.”

Back home in Memphis, Turchi left his job at Ardent Records just ahead of a wave of layoffs. And then there was the presidential election, “a sort of wake-up moment for everyone,” he says.

Taken together, all of those circumstances would be enough to take the wind out of a creative artist’s sails. Instead, Turchi headed back to his roots, recording Tallahatchie, a solo record in the truest sense of the word. “The only sort of natural and right thing to do musically — personally, too — was to get back to the most basic, square-one kind of music,” he says. “Hill Country music is what first got me obsessed with guitar. I sort of drifted away from that with different groups, but those songs are exactly why I picked up a guitar in the first place.”

The specific inspiration for Tallahatchie can be said to have come from Turchi’s ailing grandmother. While on tour, he and his band had visited her in a Baltimore critical-care facility. “One thing she really wanted to do was sing songs together,” Turchi recalls. “She wasn’t much of a singer; she just liked the idea of tunes.”

Singing a few of the songs from The Caterwauls’ live set, Turchi realized right then that they really didn’t work in stripped-down, a cappella versions. That was an “aha!” moment for the musician.

The 11 songs on Tallahatchie are all country blues tunes written many decades ago, but they resonate with the songwriter-guitarist. “None of them are my songs,” Turchi admits. “But they all have personal meaning to me.”

The twists and turns of 2016 sent Turchi into an introspective mindset. “So rather than trying to create something sort of complex and layered and full of pieces outside of myself, I wanted to try to make something that was speaking — as truly as possible — from me and my guitar.”

Tallahatchie certainly has that inward-looking contemplative mood about it. The record has a “Robert Johnson in a boardinghouse with a guitar, a mic and a recording machine” ambiance. Turchi says that the songs he chose “have kind of been sitting there in my head — or my hands — the whole time,” so he didn’t have to relearn them.

The musician set an important ground rule for himself when making Tallahatchie. “I didn’t want to do anything that I couldn’t do live,” he says. So he set up a field-recording microphone and another mic in his bedroom, “Then I sat there and recorded everything in about two days.” He didn’t do any post-recording editing; he didn’t overdub or correct any of the tracks. The vocals were recorded live while he played.

Turchi says that the collapse of his band and the other events of this past year feel as if they “left a hole. And I felt like I wanted to go back and fill that hole in.” Even though all of Tallahatchie‘s songs are covers, he says that the songs “have a little bit of my whatever in them. They’ve sat with me long enough that I’ve been able to marinate them in something that’s not just imitation.”

The Root Bar show in Turchi’s hometown will be the start of a tour that will take him across the country to “all the main U.S. markets,” he says. While he enjoys the power and volume of a full band, these solo shows hold a special appeal for him, too.

“It’s really refreshing to perform that way,” Turchi says, “but also to have a sort of conversation with the people who are there. I like to talk to people between songs [and] just feel the rhythm and have a good time.”

WHO: Reed Turchi
WHERE: The Root Bar, 1410 Tunnel Road,
WHEN: Friday, Jan. 6, 9 p.m. Free.


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About Bill Kopp
Author, music journalist, historian, collector, and musician. His first book, "Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon," published by Rowman & Littlefield, is available now. Follow me @the_musoscribe

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