The New Mastersounds co-headline an Asheville show with Turkuaz

MADE FOR PLEASURE: The New Mastersounds brew up tasty instrumental music that is based in jazz, soul and funk; the band's collaborative spirit is displayed on its current tour, sharing the bill with New York's Turkuaz. Photo courtesy of the Windish Agency

The New Mastersounds have a long-standing and close relationship with music fans in Western North Carolina. Founded in Leeds, England, in 1999, the soul jazz/fusion/funk band played its first Asheville date more than eight years ago at The Grey Eagle. Since that time, the group has returned more times than the musicians can count, gaining fans along the way. The New Mastersounds wrap up their 2016 touring schedule with an Orange Peel date (their first at that venue) on Saturday, Dec. 17.

“We’ve just always had such a great time in Asheville,” says guitarist Eddie Roberts. “From the first time that we came through, we had a great audience.” He says that’s not the case everywhere the group goes. “A lot of towns, the first time [through] we were playing to no one, or to 20 people. But when we came to Asheville, it was a kind of ready-made audience there waiting for us.”

The jury’s out — even within the band itself — as to whether the New Mastersounds are a “jam band.” In an April 2016 interview, this writer came down on the “no” side; Roberts replied, “I’m glad you say that.”

A mere seven months later, the guitarist seems to have accepted the inevitable. “I guess at this point we have to admit that we are a jam band,” Roberts laughs. “We’ve existed longer in the jam band scene than we existed without it. So maybe the scales have tipped.”

There’s good reason for the confusion. On one hand, a trademark of The New Mastersounds across their 12-plus studio albums is a tight, concise approach to instrumental funk of the kind New Orleans legends The Meters made. On the other hand, onstage, The New Mastersounds open things up. “We’re coming away from our early days as a British band where every song was 3 1/2 minutes long,” Roberts says. Mentioning a recent set that ran in excess of 2 1/2 hours, he explains, “When we’re feeling the right mood, we just keep playing until we fall over.”

Though they’re a four-piece — with Pete Shand on bass, drummer Simon Allen and keyboard player Joe Tatton — the group has often expanded with extra players, invited guests to collaborate onstage and in the studio, and even traded songs and personnel with other groups.

The New Mastersounds have done that trading on their latest release, a split single with New York City-based funksters Turkuaz. The A-side features the British group playing Turkuaz’s “The Rules,” with guests from the New York band helping out. The flip side of the limited-edition 7-inch record is Turkuaz playing The New Mastersounds’ “On the Border,” and features members of Roberts’ band.

That collaboration extends beyond the single: On the current tour, The New Mastersounds co-headline with Turkuaz. Roberts says that the shared tour is “a logical thing to do; musically, it’s such a great fit. There’s a certain amount of crossover with our audience.”

Turkuaz attracts a slightly younger demographic. “So [the tour] is introducing our audience to theirs, and vice versa,” Roberts says. “Musically, it’s very complementary. Every night, we get a few of those guys up onstage, and we get up onstage with them.”

The New Mastersounds have a massive repertoire from which to draw, and though the quartet uses a set list, Roberts sometimes calls an unplanned tune. “You’ve got to get a vibe for the kind of grooves that people love,” he explains. “Sometimes you play a groove and people are standing still; you hit another groove, and they all come alive. So I might tweak it while we’re onstage, and kinda go, ‘OK, these guys like it a bit more up-tempo,’ or ‘These guys like more of a four-on-the-floor groove.’ I can direct the band in that way.”

That spontaneity is a hallmark of the band’s studio work as well. The New Mastersounds will record their next album in Roberts’ adopted hometown, Denver, in February. “We go in totally fresh,” he says. “We write in the studio and record it there and then, usually in the space of a week.”

Then Roberts will mix the recordings and send his band mates the finished product. “They won’t have any recollection of having made that music,” he jokes. “They have to go about learning the songs so that we can add them to the set.”

Once the band is on the road, the musicians will choose one of those new songs and run through it during sound check. “Then we’ll put it in the set that night,” Roberts says.

“If you listen to a tune that we recorded in the studio, that’s the second or third time we’ve ever played that tune,” says the guitarist. “Then we play it out on the road for five or 10 years … 18 years in some cases. And the songs end up changing, evolving.”

WHO: The New Mastersounds with Turkuaz
WHERE: The Orange Peel, 101 Biltmore Ave.,
WHEN: Saturday, Dec. 17, 9 p.m. $20


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About Bill Kopp
Author, music journalist, historian, collector, and musician. His first book, "Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon," published by Rowman & Littlefield, is available now. Follow me @the_musoscribe

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