We’ve got folk-jazz, folk-blues, electronica-jazz and straight-up New Orleans funk on tap.
Dr. Bacon took some time to develop its sound. Talbott says that the original group knew what it liked: “It was kind of alt-rock,” he says. “But when we started busking on the streets in Boone, we quickly learned that if you play bluegrass, you get paid to do it.”
All four of the acts spotlighted in this edition are American; none is from Asheville, but all are musically adventurous and intriguing enough to justify a trip out on a potentially wintry February (or early March) Asheville evening.
Cholmondeley relocated to Asheville more than a decade ago, and he plays shows as a solo act, and is guitarist in Wham Bam Bowie Band. But he spends a good portion of his time away, touring with a big-name act or leading Project/Object.
The career of violinist and singer Gaelynn Lea got a big boost when she won last year’s Tiny Desk Contest. That allowed her to perform on the popular NPR podcast hosted by Bob Boilen.
A look at the nexus where psychedelia and classical meet, a local jam, ukulele music, and an edgy singer-songwriter for the 21st century.
“A lot of these younger bands, you know, they tend to sound alike,” says Del McCoury. “But those boys, they have their own sound.”
While Andrew Scotchie’s celebration honors his late father’s memory, it’s anything but a solemn event. “As far as my heart and soul goes, it’s the best way for me to start the New Year,” he says.
This week’s roundup includes Dweezil Zappa, Wendy Jones, Airpark and The Legendary Shack Shakers.
Turchi headed back to his roots, recording Tallahatchie, a solo record in the truest sense of the word. “The only sort of natural and right thing to do musically — personally, too — was to get back to the most basic, square-one kind of music,” he says.
For several years now, Celtic fiddler Jamie Laval has crafted a special December program for audiences. He presents “Celtic Christmas,” a family-friendly performance that showcases not only Christmas traditions, but observances of older pagan rituals centered around winter solstice.
The final roundup of 2016 includes Yo Mama’s Big Fat Booty Band, The Nth Power, The Cheeksters and Marching Church.
From the standpoint of live music, this year has been another remarkable one for Western North Carolina. In addition to some superb homegrown/local talent, Asheville remains a popular destination for some of the very best touring musical acts.
Released on Dec. 1, the digital-only Code Red is curated by Asheville musician Dave Harris (formerly the owner of Smashing Guitars) and features six local artists among the 40 musicians represented. “But the support has been far and wide,” Harris says.
British-based quartet The New Mastersounds recently released a split single with New York City-based funksters Turkuaz. Guitarist Eddie Roberts says that the shared tour is “a logical thing to do; musically, it’s such a great fit. There’s a certain amount of crossover with our audience.”
This week’s roundup includes Russ Wilson’s “Have Yourself a Swinging Little Christmas,” Amy Black’s Muscle Shoals Revue, Will Ray & the Space Cooties and a Hustle Souls New Year’s Eve show.
Since the group’s start in 2006, sisters Leah Song and Chloe Smith have positioned Rising Appalachia as both a musical project and a vehicle to express their social justice concerns, and to help foster a community with like-minded interests.
The group’s big sound invites comparisons to 1970s megastars like Queen. And two tracks were written and produced by American artist Gregg Alexander.
The group — named No. 1 Alternative Band in WNC by Xpress readers this year — has scheduled a hometown show at the Salvage Station on Saturday, Nov. 26, to celebrate the release of A Way to Survive.
This week’s roundup includes the California Guitar Trio, TAUK, Howard Jones and The O’Connor Band.
Scales is currently touring with a collective of esteemed musicians — the group held its first rehearsal at the beginning of this week. Scales’ current seven-date tour includes a performance at Isis Restaurant & Music Hall on Sunday, Nov. 20.