Chimes at Midnight

Movie Information

Chimes at Midnight, part of a series of Classic Cinema From Around the World, will be presented at 8 p.m. Friday, May 1, at Courtyard Gallery, 9 Walnut St. in downtown Asheville. Info: 273-3332.
Genre: Shakespearean Comedy/Drama
Director: Orson Welles
Starring: Orson Welles, Jeanne Moreau, Margaret Rutherford, John Gielgud, Keith Baxter
Rated: NR

Fighting the uphill battle inherent in all international co-productions of its time and the limitations of recording dialogue in post-production, Orson Welles, nonetheless, emerged victorious with Chimes at Midnight (1966)—perhaps the only one of his films that can really give Citizen Kane (1941) a run for its money as the filmmaker’s finest work. Stranger still is the fact that this patchwork narrative—built around the character of Jack Falstaff (Welles) and cobbled together from several plays—represents one of the most successful translations of Shakespeare to film. And for a fairly rarely seen film (until recently it was all but out of circulation), it has a significant follower in Gus Van Sant’s My Own Private Idaho (1991), which has more to do with Welles’ film than their shared Shakespeare basis (just look at the resemblance between Keith Baxter here and Keanu Reeves in Van Sant’s movie).

Now that the film is back among us, perhaps it will finally get its due as the masterpiece it is. This is big and bold filmmaking—and not just due to its amazing battle with its aggressive editing style either. Everywhere you turn there is something remarkable to be seen: a brilliant composition, a surprising camera movement, a great performance. And at the center of it all is Welles himself holding the proceedings in place. Though Welles thought little of himself as an actor (an exercise that made him wholly self-conscious), he embodies every note of the character here. You’ll not soon forget his reaction at the end, when Prince Hal becomes King Hal and disowns him. Watch him suddenly become truly old for the first time, while realizing that this is as it should be, and that he can take some credit in the making of this king.

About Ken Hanke
Head film critic for Mountain Xpress from December 2000 until his death in June 2016. Author of books "Ken Russell's Films," "Charlie Chan at the Movies," "A Critical Guide to Horror Film Series," "Tim Burton: An Unauthorized Biography of the Filmmaker."

Before you comment

The comments section is here to provide a platform for civil dialogue on the issues we face together as a local community. Xpress is committed to offering this platform for all voices, but when the tone of the discussion gets nasty or strays off topic, we believe many people choose not to participate. Xpress editors are determined to moderate comments to ensure a constructive interchange is maintained. All comments judged not to be in keeping with the spirit of civil discourse will be removed and repeat violators will be banned. See here for our terms of service. Thank you for being part of this effort to promote respectful discussion.

2 thoughts on “Chimes at Midnight

  1. I will always remember a review of this film: “it is one of Welles best, making one of cinema’s best.” How true it is. The battle scenes still knock me flat.

  2. James

    This was undoubtedly an amazing film, but the shakespearian dialogue was hard to slog through at points. The version I bought had no subtitles; the complexity of the spoken word, as well as its relative state, (Welles is almost impossible to understand at points) serve to make the film difficult. Perhaps if they ever remaster the film, it will fare better.

Leave a Reply

To leave a reply you may Login with your Mountain Xpress account, connect socially or enter your name and e-mail. Your e-mail address will not be published. All fields are required.