The Hindenburg-attachment0

The Hindenburg

Movie Information

In Brief: A speculative drama (based on largely discredited theories) about what really caused the fiery crash of the Graf Zeppelin Hindenburg at Lakehurst, N.J., in 1937. It has more in common with the disaster movie boom of the 1970s than history, but it's passably entertaining nonsense with nice performances from George C. Scott and Anne Bancroft.
Genre: Historical Disaster Drama
Director: Robert Wise (The Sound of Music)
Starring: George C. Scott, Anne Bancroft, William Atherton, Roy Thinnes, Gig Young, Burgess Meredith
Rated: PG

When Robert Wise’s The Hindenburg came out at the end of 1975, the popular disaster sub-genre hadn’t quite degenerated into the silliness of things like Rollercoaster (1977) and The Swarm (1979), but it was headed in that direction. As evidence, I present The Hindenburg, with its dubious sabotage theory presented as fact and a roster of often fictional (or fictionalized) names at the end as casualties of the tragedy. (Of course, it’s not like the disaster film sub-genre was ever meant to be taken all that seriously.) Wise’s film is a kind of curious proposition. It actually has a fairly lightweight cast and, apart from George C. Scott and Anne Bancroft, there’s not that much star power—and a healthy dose of TV actors among them. It’s also working against a major problem—its big set-piece took a little over 30 seconds of screen time. That’s an awful lot of build-up for so brief a payoff, no matter how spectacular. While Wise and company hit upon the clever idea of freezing the action of the actual burning to pinpoint a variety of individual dramas that would have been happening at the same time, it still resulted in a film that mostly rested on Scott’s investigation into a possible sabotage plot. And in truth, that’s not all that compelling. What helps—assuming you’re fascinated (and I am) with the subject—is the look at the airship itself and its amenities. Now, whether that’s enough for you is another matter. The model effects and most of the special effects are quite impressive—the matte paintings somewhat less so. In a way, it’s a film that might have benefitted from today’s production techniques. At the time, the decision to interpolate the newsreel footage (something considered in questionable taste) resulted in presenting the climax in black and white. It adds a kind of documentary feel, but I suspect it wasn’t quite what audiences were expecting.

The Hendersonville Film Society will show The Hindenburg at 2 p.m. Sunday, June 3, in the Smoky Mountain Theater at Lake Pointe Landing Retirement Community (behind Epic Cinemas), 333 Thompson St., Hendersonville.


About Ken Hanke
Head film critic for Mountain Xpress from December 2000 until his death in June 2016. Author of books "Ken Russell's Films," "Charlie Chan at the Movies," "A Critical Guide to Horror Film Series," "Tim Burton: An Unauthorized Biography of the Filmmaker."

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