How I Won the War

Movie Information

In Brief: “I saw a film today, oh boy,” sings John Lennon in the song “A Day in the Life” from The Beatles’ Sergeant Pepper's album. He then goes on to remark that “the English army had just won the war” and notes that while “a crowd of people turned away,” he “just had to look, having read the book.” Well, the film he saw was Richard Lester’s How I Won the War (1967), and of course Lennon had read the book, since he’d made his dramatic film debut (and swan song) in the movie, playing the role of the kleptomaniacal soldier Gripweed. Even in 1967, Lennon’s involvement in How I Won the War was the most famous thing about it. Lester himself has admitted that the audience was expecting Lennon to pull out a guitar and sing — and when that never happened, the film was doomed. The movie was — and is — difficult. Lester didn't want to just make an anti-war film, he wanted it to be an anti-war-film film. The idea was to send up the phony on screen heroics of war movies. The result was brilliant but so disturbing and bleak that no one wanted to see it. The passage of nearly 50 years has perhaps made us more open to it.
Genre: Anti-war Satire
Director: Richard Lester (A Hard Day's Night)
Starring: Michael Crawford, John Lennon, Roy Kinnear, Lee Montague, Jack MacGowran, Michael Hordern
Rated: NR



Despite a straightforward, even simple plot—Goodbody (Michael Crawford), an inexperienced officer in North Africa during WWII, is instructed to lead his troop ahead of the main body of troops to build a cricket pitch for when the army gets there—the approach of the film was, to put it mildly, unorthodox. Viewers were introduced to the characters in England’s green and pleasant land at a singular cricket game where no less a personage than Adolph Hitler is—none too honestly—working the scoreboard. Goodbody tries to tell his story, despite intrusions by other soldiers (including Gripweed, who shows up to ask if he can rub Goodbody’s cricket ball: “Can I rub your ball, sir? It gives me great pleasure”), who inject how they really feel about this well-loved officer.




It only gets stranger as it mocks each and every aspect of war and the military. One of the most perplexing things for some viewers was Lester’s concept that as characters were killed, they’d turn into monochromatically colored “specters,” who followed the survivors on their ridiculous mission. In part, this was to make it clear that these were actors and that no one really dies in films. (Lester once claimed to have bamboozled the British Army, which was cooperating with the film, into believing this was a test for the Technicolor cameras!)




Nothing was sacred. Jack MacGowran appeared as a soldier trying to get out of the army on a mental discharge, but his more bizarre outbursts are dismissed as him “working his ticket,” while the moment he starts quoting Churchill’s speeches he’s judged as “mad.” One soldier, Clapper (Roy Kinnear), has a wife (Fanny Carby) who sends him letters tormenting him with stories of her multiple infidelities (all of which she makes up by observing the actions of a promiscuous friend). U.S. General Omar Bradley (Alexander Knox) is depicted as a senile old fool recounting history as if appearing in a documentary. Military leaders swap “famous battle” bubble-gum cards with each other, and a soldier who has his legs blown off is advised to “stick ‘em under the cold tap, love.” Even for a Vietnam-era anti-war film, this was extreme, harsh material. It still has an edge most films would shy away from. It’s brilliant, bitter, defiant and angry. And on another level, the film has taken on a disturbingly eerie quality, thanks to Lennon’s death scene where he looks directly at the camera as he dies, saying, “I knew this’d happen. You knew it’d happen, didn’t you?”

Classic World Cinema by Courtyard Gallery will present How I Won the War Friday, Feb. 13, at 8 p.m. at Phil Mechanic Studios, 109 Roberts St., River Arts District (upstairs in the Railroad Library).  Info: 273-3332,

About Ken Hanke
Head film critic for Mountain Xpress from December 2000 until his death in June 2016. Author of books "Ken Russell's Films," "Charlie Chan at the Movies," "A Critical Guide to Horror Film Series," "Tim Burton: An Unauthorized Biography of the Filmmaker."

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