There it is, sitting there like a visible conscience. It’s a box. It contains a lot of packing and another box. It’s all on the nice armchair that only gets used by cats—who, I might add, are not pleased with its presence—and the occasional intrepid visitor who doesn’t mind getting up covered in cat hair. Inside the innermost box lies—or so I am told—a 100 percent region-free Blu-ray player. I’m assured it will play any region DVD and any letter code Blu-ray disc. State of the art technology at my fingertips and all that. It’s of the “so simple it operates itself” variety—no tricky settings, just pop those babies in and go. What it is not, however, is “so simple it sets itself up.” Therein lies the reason it’s resting on the chair.
Author: Ken Hanke
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Cranky Hanke’s Screening Room: OK, I’ve Gone Blu-ray—well nearly
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Cranky Hanke’s Weekly Reeler Aug. 31-Sept. 6: Debt of Apollo 18 on the Magic Trip to Another Shark
Before going any further, it should be understood that Labor Day weekend is considered to be a movie dumping ground—one of those weekends where movies that studios view with grave misgivings and gloomy foreboding get sent out into the world. The idea is that very few people will notice them and that everyone will be spared as much embarassment as possible. The exception this year is the release of The Debt, which is aimed at an older, less picnic-happy audience—and, of course, art and indie fare like Magic Trip: Ken Kesey’s Search for a Kool Place (opening at The Carolina) and Another Earth (opening at the Fine Arts) don’t count. Things like Apollo 18 and Shark Night 3D, on the other hand, fit the profile perfectly. And then there’s self-releasing Seven Days in Utopia, which fits the four-waller profile more than anything else.
Our Idiot Brother
Don’t Be Afraid of the Dark
The Ghost of Frankenstein
Foreign Correspondent
The Birth of a Nation
Magic Trip: Ken Kesey’s Search for a Kool Place
Early Summer
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Cranky Hanke’s Screening Room: Halloween is coming . . . well pretty soon anyway
Yeah, I know, it’s really a good while till Halloween, but I want to get an early start on at least one aspect of it this year. I’m sure most of you reading this know that I’m involved with the Thursday Horror Picture Show. In point of fact, the programming of it and just about everything else about it is in the hands—and warped minds—of Justin Souther and myself. It’s very much like the Asheville Film Society, but on Thursdays and with horror movies. It’s also in the hands of the people who come to the movies. Now, nothing says horror pictures like Halloween, so I’d like this Halloween season to be something special.
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Cranky Hanke’s Weekly Reeler Aug. 24-30: Dont be afraid of a tabloid idiot brother
Another week and another array of choices for our viewing pleasure—or so the ever-hopeful studios would like to believe. Last week absolutely everything got its nose rubbed in the dirt. This week? Well, only time will tell, but the buffet this week includes three mainstream titles—Colmbiana, Don’t Be Afraid of the Dark, Our Idiot Brother—two art titles—A Better Life (Carolina), Tabloid (Fine Arts)—and something called The Caller (Carolina), which has the distinct aroma of “four-waller” about it.