Tiger Mountain wasn’t planning on being a music venue, at least not in the traditional sense. When Sean Bickford bought the former Emerald Lounge space and moved his business to North Lexington Avenue in August, he figured on keeping it as a bar with regular dance parties and occasional DJ shows. That changes with a […]
“You Will be Spending Time Outdoors, In the Mountains, Near Water” is the unwieldy but (after recent #avlsnomg episodes) very welcome title of the newest offering by Providence, R.I.-based chamber-folk act Vio/Miré. The project is that of sometimes soloist, sometimes bandleader Brendan Glasson, who shrinks and grows his lineup as needed to support his sweetly […]
Different Strokes! Performing Arts Collective has never shied away from uncomfortable themes. In the last five years, the group brought activism to the stage while making a distinct impact on the local theater landscape. With the new production of Zoë Flowers’ “ChoreoDrama” From Ashes To Angel’s Dust, Different Strokes tackles domestic violence. Directed by Steph […]
The description of WordLine‘s next show is fairly minimal: “Free event for UNCA students,” the local sci-fi rock band wrote on its Facebook invite. “Call to UNCA student artists, dancers and music fans. Paint, dance, create or simply observe. Live rock music and a multi-sensory experience … Bring your art supplies!” But in a way, […]
Cullowhee teen Anne Wade took on the complex issue of censorship in schools and won first place in the National Coalition Against Censorship’s 11th annual Youth Free Expression Project Film Contest.
Crowdfunding platforms make it possible for individuals and organizations of any size to harness social networks and raise startup capital for projects that might otherwise fail due to lack of funding. This week: self-reliance through chickens, new adventures at Firestorm Books and a re-published Tarot classic.
Be aware: Those sounds might be greener on the vine and more challenging to a listener than standards of classic minimalism. “I think contemporary music is far too often imprisoned in academic settings,” says Corey Denham of 10-can Percussion, “We’re interested in exploring performance in as many diverse venues as we can.”
It’s the story of Anna Münster and Armand Jacoubovitch that Mouillot recounts — or, rather, unearths. The couple survived the Holocaust only to sever all ties with each other shortly after the end of World War II. Mouillot also weaves her own story into the text. “A lot of what I was grappling with in the book is the daunting realization that life is always very complex,” she says.
Buckner had shared stages with the likes of Dierks Bentley, the Zac Brown Band and Blackberry Smoke and won the 2014 Asheville Talent Search. He also fronts his own group, Southern Soul Campaign.
BEAT LIFE performances aim to further Asheville’s presence in electronic music by pairing live shows with professional learning and networking opportunities. The event’s latest incarnation spotlights the work of New Orleans-based hip-hop artist Amahl Abdul-Khaliq, also known as AF THE NAYSAYER.
Now in its third season of presenting childhood favorites through theater, ACA will employ puppetry by co-founder Abby Felder and the talent of professional actors to reveal the big bad wolf’s alibi in this “hilarious rock musical.”
The free showcase featuring portraits and personal backstories of recovering addicts will be on display in Parish Hall at the Cathedral of All Souls in Biltmore Village on Saturday, Feb. 28.
While the roots of punk are deep and varied, artists who identify as such share a common ethos: to freely express themselves despite limitation or oppression and attacking the status quo through self-radicalizing actions.
Jason DeCristofaro would like to see the community college’s music department receive acclaim similar to what the rest of A-B Tech has enjoyed. In an effort to showcase the talent of his fellow faculty, the adjunct instructor has organized a four-part concert series, which he says is the first that A-B Tech has ever held.
Renowned fiddler and Grand Ole Opry veteran Kate Lee, mandolin prodigy Forrest O’Connor and backing guitarist Jim Shirey had a productive post-holiday powwow, solidifying a handful of shiny new tunes for the contemporary folk duo’s February tour.
Jill Andrews return to The Grey Eagle on Friday, opening for Sean Watkins of Nickel Creek (currently on his solo tour), was — not surprisingly — pretty comfortable.
Singer-Songwriter Caroline Rose recently opened up for Shovels & Rope at The Orange Peel. Xpress was able to capture two songs — including a brand new song called “Goodbye May” — exclusively for Acoustic Asheville before the show. Here, Rose is accompanied by Brett Lanier on lap steel. Goodbye May American Religious
Each week, Xpress highlights notable WNC crowdsourcing initiatives that may inspire readers to become new faces in the crowd. This week features singer and guitarist Dulci Ellenberger’s debut solo effort, the 10-can percussion troupe’s upcoming collaboration with composer Andy Smith and a kid-friendly introduction to computer programming by inventor Dan Alich.
Twice monthly, my blog 30 Days Out spotlights upcoming music shows and events of note, shining a light into some less well-lit corners, where some fascinating artists schedule performances. I do my best to give ample advance notice so that you can adjust your budget and calendar in a way that lets you get to […]
From the knuckle-pop percussion and the fuzzed-out opening lyrics of “The Kids,” Fashion Bath‘s newest release, Sunday Best is full of intrigue, dark shimmer and reticent importance. The EP is a mix of astute alt-pop (like “The Kids,” with its almost-slowdance beat and buzzy, heady melody) and explosive, driving noise-rockers (like “Funny Feeling,” with its […]
There are really strange things on YouTube. You try find Kanye’s latest rant and before you know it, you’ve lost half a day down the rabbit hole of fashion shows, cartoon horses, Kid ‘N Play videos and “Alf” reruns. In a way, that’s the premise for Everything is Terrible!, “the internet sensation video collective responsible […]
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