The Orange Peel hosts the variety show on Thursday, Aug. 25.
Giving the typical summer outdoor theater experience a twist, director Scott Keel chose to stage the production with the audience on two sides of the cast. The actors played the show mostly on the new lower stage area.
The party is at Isis Restaurant & Music Hall on Saturday, Aug. 20.
The production, a satire about the “manosphere” (or men’s rights movement), takes its name from the The Red Pill online community, hosted on Reddit, “where men go to air their toxic views about women,” according to The Guardian. It was inspired by the events that unfolded around Waking Life Espresso.
This is the story of three Mississippi sisters who’ve drifted apart, but when Babe shoots her abusive husband, tongues start wagging all over town. This stirs wild, wandering songstress Meg homeward to their grandfather’s house where their faithful sister Lenny has been a caregiver.
Arthur Miller’s first big-hit play, All My Sons from 1947, is an intimate and moving tale of a munitions manufacturer in Ohio following World War II.
The show is lighthearted, fun, silly and filled with laughs for children and their parents. It works well on many levels. The songs are creative and charming.
The musical version, by Dolly Parton and Patricia Resnick, is now showing on Flat Rock Playhouse’s main stage through Saturday, Aug. 20.
Parkway Playhouse was forced to replace West Side Story with Grease, having lost the rights to the former when the authors boycotted North Carolina in protest of House Bill 2. Grease may ultimately be the better pick.
Performances of the musical are at Magnetic 375 on Friday-Sunday, Aug. 5-7, and Thursday-Sunday, Aug. 11-14, at various times.
Tarocco is a quintessentially Asheville production. Part play, part dance and part circus, it uses the fool’s journey of the tarot to tell the story of a wounded World War I soldier, played by Ross Daniel, as he lies dying behind enemy lines.
Productions of the socially charged play are at Toy Boat Community Art Space Friday, July 29 through Friday, Aug. 12.
“It’s [Rash’s] material,” Smith says. “What I take the most credit for is knowing good material when I find it.”
Playwright Nat Allister tweaked Tarocco following its 2015 debut, and now the emboldened work is set for a tour, beginning at Diana Wortham Theatre on Friday-Sunday, July 22-24.
In celebration of the 100th anniversary of the National Park Service (of which the Sandburg Home is part), Flat Rock Playhouse created two new original productions — Spink, Skabootch and Swipes in Rootabaga Country and Carl Sandburg’s Rootabaga Express.
Set in post-McCarthy era Washington, D.C., Capital Liar follows the exploits of tabloid newsman Sly Goodwin. It’s onstage through Saturday, July 30.
The show is a tour de force for two actors, who assume the identities of the population of Tuna, Texas. It is a small town with the kind of colorful characters who would feel right at home at a Donald Trump rally.
Director Michael MacCauley discusses his introduction to Shakespeare’s first tragedy and how its bloody commentary on the senselessness of violence remains timely.
The story, by Meredith Willson and Franklin Lacey, is set in River City, Iowa, during the summer of 1912. When a clever con artist known as Professor Harold Hill, played by Brian Robinson, steps off the train, he means business. This classic musical is performed through Saturday, July 9.
Patriotism never goes out of style; nor does fun in the sun. Commemorations of the Fourth are in force — here’s where to celebrate.
The show contains adult language and delves into issues of racial relations. HCT is to be commended for its courage, and applauded for the deft execution of such delicate material.