As in ‘Alice in Wonderland,’ things aren’t always what they seem.
The importance of the deaf and blind culture is kept in the limelight with The Miracle Worker, and this moving and unexpectedly funny production deserves to be a hit for SART.
The terrific live band is reason enough to see Bright Star, written by Steve Martin and Edie Brickell.
From the moment the lights come up we feel like we’re in Neil Simon’s version of ‘On Golden Pond.’ The woodsy scenic design by Sandra Lopez is absolutely beautiful. It is one of the production’s greatest assets.
This play reminds audiences that if we spend our life bitterly struggling to fulfill our dreams, in the end, our biggest regret will be that we didn’t enjoy the journey.
Silent Sky helps us fantasize about a perfect galaxy where everyone has equal opportunities.
The Gin Game resounds with witty humor by poking fun at the matters of aging. It then cleverly challenges our comfort-zone with deep drama, scolding us for making light of such a serious subject.
Footloose touches most intriguingly on an era when being free and expressing oneself with music and dance was bitterly frowned upon by certain belief systems.
As this year comes to a close, it’s the perfect time to reflect on some truly extraordinary theater ranging from splashy musicals, moving dramas and locally written plays.
The Bad Seed induces a disturbing, psychological message for the ages. If a child can be manipulative and clever enough to get away with murder — what will happen when they become an adult in a position of power and authority?
Those yearning for a thorough version of this classic will find it here. The cast rises to the emotional challenge and reminds us how wild and untamed Williams’ Cat on a Hot Tin Roof can be.
This will be Different Strokes! final show in The BeBe Theatre. The company is moving to a new space in the near future called The Downstage Performing Arts Center.
FRP’s version is even more entertaining than both the Broadway version and the film — a feat not to take lightly, as this production had the power to draw Tony-nominee Terrance Mann to the opening.
The unconventional life of oddball partyer Mame Dennis (played by Lyn Donley) is shaken up when, after her brother-in-law passes away, she’s entrusted with her young nephew, Patrick (Andrew Delbene).
With ‘The Love List’ we are reminded that the perfect person doesn’t exist, and it’s often our flaws that make us unique and lovable.
There’s a charming vintage quality to ‘Blithe Spirit’ that truly resonates. The show is onstage though May 19.
After his 1994 graduation, Robb Smith left his hometown. Like a story from an independent gay movie, he jumped on a Greyhound bus bound for Asheville, where he started a new life — complete with a drag persona — with the help of an accepting uncle.
Honor Moor’s new play tickles the funny bone over our nation’s political divide.
There’s an inherent passion behind this production. By the end, we find ourselves searching for that skylight in our own lives — a moment when we built something beautiful in an attempt to mend something terrible that we did for the sake of love.
“I’ve been doing this Christmas show for 12 years,” Waters says. “Even when I made all the movies, I use to always do a show called This Filthy World or An Evening with John Waters. It began when I use to tour with the movies to introduce them. I’ve always had a stage show of some kind or other — I never gave up on Vaudeville.”
Because of Maria Buchanan’s incredible performance, you’ll be hard-pressed to find a better show than ‘The Tweleve Dates of Christmas’ this season.