While it’s unlikely that viewers leave two-person drama ‘The Mercy Seat’ laughing or smiling, but it’s a production that will stick with audiences for a while.
Premiering Friday, May 11 at the Asheville Masonic Temple, When Adonis Calls reveals the intimate exchanges between an older, been-there, done-that-type writer and a young, eager fan.
There’s a charming vintage quality to ‘Blithe Spirit’ that truly resonates. The show is onstage though May 19.
HART’s production is a romantic comedy that celebrates love’s triumph. Deftly embedded in the play are the persistent sexist and ageist attitudes that Austen highlighted in her 1811 novel.
D.L. Coburn’s 1976 Pulitzer Prize-winning play opens on an old man playing solitaire. Weller Martin seems content enough in this low-end retirement community. But when he meets the new resident Fonsia Dorsey he is more than eager to cheer her up and teach her the game of gin.
This haunting production follows a despondent and drifting young blogger/journalist in search of a career-making story about corruption.
Created by Asheville-based playwright Brenda Lunsford Lilly, the production is a sly 1960s homage to Henrik Ibsen’s notable play, A Doll’s House. The show remains onstage through Saturday, May 5.
In the story, Anne tries to live as normal a life as anyone could in this situation, even as her world crumbles around her. She mostly keeps a bright attitude, believing that people are basically good at heart.
The experience of Failure is one that transports the audience, and will cause more than a few lumps in the throat as viewers are show something akin to a Sam Shepard play adapted by Wes Anderson.
Along with exhibitions, concerts, readings, dance performances and a ceramics sale, Arts Fest also offers installations and presentations aimed at engaging students and the broader Asheville community.
Attic Salt’s production of the Bill C. Davis comedy runs Fridays-Sundays, April 6-22, at 35below.
Iggy Ingler is partnering with Owly Cat Productions to stage his iteration of Hedwig and the Angry Inch (in which he plays the lead role) at The Grey Eagle, Friday-Sunday, March 30-April 1.
With a far out feeling, voting has begun for the beloved annual Best of WNC awards. Only you can decide who’ll be feelin’ it in the new summer of love, when winners are announced this August. You have until 11:59 p.m. on the night of Saturday, April 28 to complete your ballot and make sure your voice is heard. […]
“The way we do ensemble-created theater, the heart of what we do is being community-minded,” says Erinn Hartley of Anam Cara Theatre Company. “It’s hard to be in a city that claims to be all about that [but where] it no longer feels like that’s even tangible.”
A meth-addicted couple have taken their sick baby to the hospital where Child Protective Services take custody of the endangered child. This sparks a spiral of conflicts that propels the play forward along an often harrowing path.
The evening-length dance-theater work makes its Southeast premiere March 16 and 17 at Diana Wortham Theatre.
Families with kids should not wait to make reservations as these shows are playing to capacity crowds and tickets are pretty scarce at the door.
After his 1994 graduation, Robb Smith left his hometown. Like a story from an independent gay movie, he jumped on a Greyhound bus bound for Asheville, where he started a new life — complete with a drag persona — with the help of an accepting uncle.
The story is simple, yet becomes complicated when the titular rumors begin to fly. Deputy Mayor Charlie and his wife Moira are celebrating their 10th anniversary. They’ve invited four couples to their house for the party, but something is amiss.
Honor Moor’s new play tickles the funny bone over our nation’s political divide.
Is it possible that 9 to 5 is to the #MeToo movement what The Crucible was to ’50s-era McCarthy hearings? It comes close.