I thought I had good news for you this week, but then the good news got moved to next Friday and that leaves us with three—well, not that exciting-looking movies opening on Friday. Try as I may, I can’t seem to work up much enthusiasm for Battle: Los Angeles, Mars Needs Moms, or Red Riding Hood. Maybe I was spoiled by last week.
Author: Ken Hanke
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Pather Panchali
The Brides of Dracula
Finian’s Rainbow
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Cranky Hanke’s Weekly Reeler March 9-15: Mars Needs Red Riding Hood
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Cranky Hanke’s Screening Room: In Defense of the Biopic
Probably no genre of filmmaking is so generally disdained as the biopic. It’s actually less the films themselves than it is their often somewhat-to-extemely dubious veracity. I would not deny this aspect of the movie versions of the lives of the great. It’s certainly there, though most times I’d argue that it’s no worse than your average high school history book, especially as concerns older biopics where anything too disturbing tends to be given as fine a coat of whitewash as Aunt Polly’s fence ever saw. But it seems to me that even these films served a function in terms of general knowledge that was not without its value.
Casino Royale
The Old Dark House
Drive Angry 3D
Rembrandt
I Am Cuba
Casino Jack
Rabbit Hole
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Cranky Hanke’s Weekly Reeler March 2-8: An animated Johnny Depp arrives on the scene—and others
It’s a pretty crowded schedule at the movies this week. We have four mainstream titles—The Adjustment Bureau, Beastly, Rango, Take Me Home Tonight—and two art titles—Casino Jack (at The Carolina) and Rabbit Hole (at the Fine Arts). In other words, we’re not hurting for quantity. Quality may be an entirely different matter. In some cases, I’d risk money on it.
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The Oscars, Streaming Video, and a Couple of Elitist Bastards
Well, the 83rd Academy Awards are behind us and thank God for that. Also behind is the ill-advised, experimental live streaming—or maybe that’s steaming—video feed that found Justin Souther and me pretty much chained to one spot for five hours to comment on the show as it proceeded. I am even more grateful that that’s over.
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Cranky Hanke’s Screening Room: Down to the Oscar wire
Well, here it is—Oscar weekend—and what had started out as a seemingly predictable year at the Oscars now looks a little less predictable, and has also become one of the most promoted ceremonies I can recall. It’s certainly evolved into the busiest Oscar season I’ve ever had since I’ve been Svengali’d into—along with Justin Souther—this Oscar party at The Carolina on Sunday night.