Cranky Hanke’s Screening Room: Metropolis­, Fritz Lang and Me

It’s certainly no secret that what’s being called The Complete Metropolis is booked for one show next Friday, Oct. 29 at 7:30 p.m. at The Carolina by the Asheville Film Society. And it probably takes something less than the detecting prowess of Sherlock Holmes to figure out that I was the primary force behind that. Possibly less clear to folks who don’t follow these things is just what “complete” means in this instance—since we’re not talking two or three minutes, but a whopping 25 minute addition—why it’s historically significant and, for that matter, what exactly Metropolis was, what it came to be and what it is again.

I Want Your Money

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The Story: Ray Griggs lectures viewers about the evils of liberals, while an animated Ronald Reagan lectures an animated Barack Obama on why universal health care would be wrong. The Lowdown: A painful 92 minutes (that seems much longer) of simplistic lecturing that perfectly defines preaching to the choir -- and a dearth of fact-checking.

RED

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The Story: Retired CIA agents band together when it turns out that they've been targeted for assassination by orders from on high. The Lowdown: The plot is not much. The direction is adequate. But the seasoned cast of actors makes RED worth seeing, even if it can't make it into the great action spoof it…

Never Let Me Go

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The Story: A dystopian sci-fi that takes place in alternate history. The film follows the lives of three children at a sheltering private school -- and the purpose behind that school. The Lowdown: Intense and methodical, Never Let Me Go is a film of considerable power, but it's also such a downer that its appeal…

On Coal River

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The Fine Arts Theatre will show On Coal River at 7 p.m. on Wednesday, Oct. 20, and Thursday, Oct. 21, and at 1 p.m. on Saturday, Oct. 23. The director will be present at both screenings. Proceeds benefit environmental programs at Marsh Fork Elementary School in W. Va.

Cranky Hanke’s Weekly Reeler Oct. 20-26: Paranormal activity with a tall dark stranger hereafter

Four movies open this week: You Will Meet a Tall Dark Stranger, Waiting for “Superman,” Hereafter and Paranormal Activity 2. Of these, I’ve only seen Waiting for “Superman”, which is an exceptional documentary opening on Friday at the Fine Arts, and about which you can read more in this week’s Xpress. The other three are all of interest of one kind or another.

Cranky Hanke’s Screening Room: Awards season looms

I’m looking down the barrel of a gun marked, “The Weekend from Hell”—in movie reviewing terms, that is. Somewhere between now and Monday morning, five full movie reviews and five special screening reviews have to appear as if by magic. That adds up to ten—assuming “New Math” is not involved—and, yes, it’s been done before, but it’s daunting. To add to the daunt factor, I’ve only seen one of the full movies (I’ll be taking a break from this and heading out to take in a couple more in a little while). To make it just that much more entertaining, three of the special screenings are of movies I’ve never seen before. This means that seven movies have to be watched, digested and written about—and then there’s this “Screening Room” thingie. What does this mean to the reader? Simply that the “Screening Room” is going to be of the short and hopefully sweet variety.

Secretariat

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The Story: The story of the title racehorse and his journey from birth to becoming a Triple Crown-winning legend. The Lowdown: Crowd-pleaser style filmmaking with loads of schmaltzy moments built around a strong central performance by Diane Lane. For those who like traditionalist, unadventurous movies, it will likely satisfy.

My Soul to Take

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The Story: A serial killer either returns from the dead, never was dead or has taken up residency in the body of one of seven teenagers who were born at the presumed moment of his demise 16 years ago. The Lowdown: It's silly and sloppy, but those very factors make My Soul to Take kind…

Gods and Monsters

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The Asheville Film Society will screen Gods and Monsters Tuesday, Oct. 19, at 8 p.m. in the Cinema Lounge of The Carolina Asheville. Hosted by Xpress movie critics Ken Hanke and Justin Souther. Hanke is the artistic director of the Asheville Film Society.

Cranky Hanke’s Weekly Reeler Oct. 13-19: Art and the very antithesis of art

This is one of those tricky weeks where movie titles cropped up—out of nowhere or from Freestyle Releasing, which amounts to about the same thing—after the upcomers were done. As a result, in addition to the three movies I was expecting to open this week—Never Let Me Go, RED and Jackass 3-D—we also have N-Secure and I Want Your Money. This does not appear to be a blessing.