Identity



I don’t know if James Mangold would approve of me calling Identity a horror film. He might prefer thinking of it as “psychological thriller,” but that doesn’t change the fact that in its heart of hearts, it’s not a whole lot more than a slasher picture — a pretty savvy and hugely entertaining one, but […]

It Runs In The Family



The Real Cancun may purport to be a reality film, but it’s not the only “reality-based” movie opening this week. We also have Fred Schepisi’s It Runs in the Family, which slaps three generations of the Kirk Douglas family — plus one ex-wife (and that’s not to mention Michael’s brother, Joel, in an associate-producer capacity) […]

Spider



reviewed by Ken Hanke Saying that a David Cronenberg picture is strange is on a par with announcing that the Pope is Catholic. But declaring that his newest, Spider, is possibly the strangest movie Cronenberg has ever made since his introduction to commercial filmmaking (with Shivers, a.k.a. They Came From Within, in 1975) is, on […]

The Dancer Upstairs



reviewed by Ken Hanke I’m always a little leery of movies made by actors-turned-director. Occasionally, the results can be stunning — George Clooney’s Confessions of a Dangerous Mind. At other times, they show the strain of someone trying too hard to be “important” — Todd Field’s In the Bedroom. John Malkovich’s directorial debut lands somewhere […]

The Good Thief



I was surprised by The Good Thief, though not because this latest offering from director Neil Jordan was good — I expected it to be at the very least interesting and worthwhile. The surprise lay in the film’s remarkable lightness of tone. After all, the story of an aging, down-on-his-luck, heroin-addicted thief-turned-unsuccessful-gambler (Nick Nolte) and […]

The In-Laws



reviewed by Ken Hanke Andrew Fleming made his directorial debut back in 1988 with a horror picture called Bad Dreams, a title that suits my reaction to his latest offering, The In-Laws, something swell — except that Bad Dreams was a lot funnier. This pointless, witless remake of the 1979 film of the same name […]

The Italian Job



reviewed by Ken Hanke Following hot on the heels of the abysmal A Man Apart — a film so bad that Vin Diesel may now wish he hadn’t been quite so quick to turn down that Fast and the Furious sequel — we have a new movie from director F. Gary Gray, a remake of […]

The Matrix Reloaded



reviewed by Ken Hanke Confession: Despite stout efforts, I have yet to make it all the way through the original Matrix. This is less the fault of the film than it is that the quickest way to get my mind (usually followed by other body parts) to wander is to load up a movie with […]

The Real Cancun



The Real Cancun is, I believe, the sixth sign of the Apocalypse (the seventh comes June 13 with the release of the American Idol spawn From Justin to Kelly). I hear that Cancun was shot a scant five weeks ago, meaning that the filmmakers should have been shot six weeks ago. By now you know […]

Criminal moves

It was an unusual Oscar show this year: I was only twice tempted to hurl a brick through the TV screen — when Chris Cooper won Best Supporting Actor and when Eminem won Best Song. (Of course, that’s exempting the Oscar audience’s reaction to documentary filmmaker Michael Moore’s acceptance speech.) Alas, my hostess had neglected […]

Marshall matters

Having seen David Gordon Green’s new film All the Real Girls (a review is scheduled to appear in the Feb. 12 Xpress), I was delighted to have the chance to speak with Paul Schneider, star and co-author of the film’s original story. Since Schneider (who’d also appeared in Green’s George Washington) had not only acted […]

Moving pictures

It already seems like an Asheville institution, but little more than a year ago the Cinema in the Park series was nothing more than a glimmer in Rupa Vickers’ mind. “One night, I was just thinking: Wouldn’t it be great to go over to Pritchard Park in that amphitheater and watch movies?” Vickers originally told […]

When It Girl meant something

Laurel and Hardy, John Barrymore and Clara Bow will soon be competing for your attention in Pritchard Park. No, the ghosts of these great cinema luminaries haven’t fallen on hard times — just the opposite, in fact. They’ll be seen in larger-than-life glory, in the movies they made at the height of their creative powers. […]

Scurrying for the spotlight

What do King Kong, Frank Langella flambe, spaceships and marauding cockroaches have in common? They’re all the product of cinematic trickery — the movie-making device commonly known collectively as “special effects.” And that was the topic of a forum — called, appropriately enough, “Special and Visual Effects” — presented by the Asheville Film Commission. The […]

The Crime Of Padre Amaro



Whoever called The Crime of Padre Almaro “one of the most controversial films ever made” doesn’t get out much. Yes, it can truly be said that the film is no valentine to the Catholic church—though its portrayal of a couple of priests and their fondness for lady friends is weak tea compared to things that […]

Hollywood East?

The Asheville Film Board’s ambitious drive to promote film production in the area is really nothing new. No less a light than Thomas Edison came to Western North Carolina back in 1911 to shoot short films. And in 1921, Asheville provided the setting for Conquest of Canaan. Asheville and surrounding areas — particularly Biltmore Estate […]

Local filmmakers take charge

Asheville-based writer/director Paul Schattel has just completed his first feature film, slated to premiere on April 26 at Asheville Pizza & Brewing Company. It’s called 78, named for “a road that runs from Charleston all the way down through Georgia, across Alabama and Mississippi, and up to Memphis,” explains Schattel. “It’s a real sort of […]

Found in the translatio­n

Colors of the Mountain is a remarkable book. And Da Chen is an equally remarkable man. His memoir reveals a childhood few of us can imagine. Chen grew up in Chairman Mao’s communist China, the descendant of a once-prosperous landlord — a lineage ensuring the author an immediate position as a perceived enemy of the […]

Bard times

“To be or not to be? That is the question.” In fact, that is the question — from Shakespeare’s Hamlet — that remains more famous than any other line in literature. And, according to North Carolina Shakespeare Festival Artistic Director Lou Rackoff, that legendary question grows even more significant in a new millennium. “[Hamlet] seems […]

First in film

In Hollywood, “vision” is a dirty word — one of the dirtiest, suggesting a troublesome auteur whose “vision” isn’t likely to cook up into the next Star Wars. Fortunately, there’s still plenty of room outside Tinseltown — perhaps more than ever — for filmmakers with vision. This is beautifully illustrated in UNC-TV’s sixth season of […]