Local offerings range from classic ballets, poignant soul searches and snarky send-ups of this month of family drama and heightened emotions.
Here’s a selection of costumed capers, ghoulish gatherings and pumpkin-spiced parties. From autumnal festivities to puppet shows, there’s a celebration for nearly every reveler.
Longtime local dancer and choreographer Sharon Cooper and Asheville Contemporary Dance Theatre present Motown Memories for a second time at BeBe Theatre on Friday-Saturday, Oct. 14-15.
There is one place where the holidays work out perfectly (or perfectly imperfectly): on the stage. And this year, local theater companies are pulling out the stops.
When a mysterious sickness surfaces and sea horses begin to disappear, a colorful crew of aquatic fauna must band together to identify and tackle the problem. It’s not the newest PBS Kids series; it’s the latest production from Asheville Contemporary Dance Theatre.
A woman stands in a ragged white kimono. Her dark hair is vehemently disheveled. Her mouth hangs open in her painted-white face. This is not your mama’s modern dance. It’s an example of what you’re likely to encounter during the annual Asheville Butoh Festival, held at the BeBe Theatre, Thursday-Monday, Sept. 18-22
Commemorating 35 years of modern dance, ACDT recreates its signature ballet, “Looking for Frida.” First choreographed in 1998, and staged in Asheville; Montpellier and Toulouse, both France; and Merida, Mexico, the production embodies the company’s mission to produce to daring and often haunting performances inspired by the work of great artists and writers.
Asheville Contemporary Dance Theatre celebrates 35 years of modern dance while the New Studio of Dance marks its 45th anniversary of dance education. The local artistic strongholds commemorate those milestones with a performance of Alice in Wonderland. “You may already know Alice, the Mad Hatter and the Queen of Hearts, but how long has it […]
While I applaud artistic directors Susan and Giles Collard for giving the dancers a crack at creating their own choreography, the results prove something we already knew: that a good dancer does not necessarily a choreographer make. Beautiful movement is not enough. What we hope for is movement that expresses something significant, something urgent — something, moreover, that cannot be expressed any other way.
Sex, power, angst, marriage and yes, chess: All here in a combined performance from ACDT and the state contemporary dance company of Yucatan, Mexico.