Reviews of new music from Joshua Carpenter, America Jane and Ian Moore. Each artist puts a different spin on folk: Carpenter’s is jangly folk rock, America Jane does folk noir and Moore uses steampunk as inspiration.
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Reviews of new music from Joshua Carpenter, America Jane and Ian Moore. Each artist puts a different spin on folk: Carpenter’s is jangly folk rock, America Jane does folk noir and Moore uses steampunk as inspiration.
If you’ve lived in Asheville for any amount of time, and you’re at all involved in the music scene here, you’ve heard of Tyler Ramsey. Maybe you’ve seen him play in local bands like the Tyler Ramsey Trio, DrugMoney or Hollywood Red. Or maybe you had the good fortune to catch a few of those […]
From ethereal waltzes to anthemic stomps, Nikki Talley’s third album, Beautiful Charmer, aptly covers the spectrum of country sounds. Add polished production, some of the areas best backing musicians and stellar writing, and you’ve got eight well-rounded tracks.
Rosetta’s Kitchen, though a delightful place to grab a bite, is not what most would consider a music venue. Door-to-door tables crowd the limited floorspace, and narrow hallways amplify the sounds emanating from the bustling kitchen. But, on a cool Sunday night, Rosetta’s was transformed as Hello Hugo tucked into the far corner of the […]
Last Saturday, the Symphony performed a dynamic concert including collaborations with NC Stage and the Asheville Symphony Chorus.
Melissa Godfrey (not her real name) was a cool girl. Despite being a cheerleader and one of the best-looking girls at Northside Junior High, she was always nice to a dorky kid like me. Melissa would try to make conversation, but I had a problem: I knew that underneath her clothes, she was completely naked. […]
If you’ve heard You Dirty Rats live (and you should), this EP won’t come as a complete surprise — but the band does have a few recording tricks up its collective sleeve resulting in an album that’s both polished and raucous.
Guest reviewer Sanuk D checks out Rat Jackson’s Midnight Get Right, Ryan Sheffield & the Highhills’ Head for the Coast and Eliza Bell’s Maps Upon the Sand.
First they were Pavane & Galliard (Puh-vanee and Gal-ee-erd) which was a great name, once you knew how to pronounce it. But in an effort to make their name more accessible, they changed it to Young Couples — simple to say but oh-so-creepy to yell out in a crowded bar if you're older than, say, […]
Hello Hugo is a band not just to see, but to pay attention to. If you thought instrumental bands were for elevators, think again.
Local electronica band The Nova Echo releases EP Voyager: Five hooky, dancey, other-worldly, totally-infectious new songs.
Music major backgrounds, serious pop acumen and style to waste make up-and-coming quartet Young Couples one to watch.
Debut psy-trance album One Foot in Fantasy, along with a psy-trance DJ compilation by Axis Mundi’s Jason Miller, are being handled internationally by Hong Kong and Italy-based distributors, but the other-worldly music is firmly rooted in the local EDM scene.
The Hookah Bar gave Asheville a dose of dub with Time to Get Ill a few weeks ago, presenting Dallas-based D-Queue and his slammin’ beats alongside locals faves like Quetzatl and GalaxC Girl. Dr. Phonicle started the night off with a set full of reggae-infused dubstep. Although he wasn’t spinning tunes with the heavy, crashing […]
ForTune is a sweet album the deserves close listening. It’s modern folk — the songs are contemporary and are based on Green’s very current world view — but performed the same way songs would have been ages before MP3 and album art.
Describing the sound of Eleven & the Falcons is no easy task: they come across as independent of their contemporaries and ahead of their time. Under the guise of catchy pop songs, rich ambience and a collection of found sounds make the band inimitable; blown-out practice amps and student-level instruments dominate their setup – but […]
Quetzatl is a veteran of the electronic music scene, and it showed with how tight and perfectly executed his set was. The years have, thankfully, not translated into an evolution of sound that is inaccessible or overly polished. His sound is gritty, but not from a lack of production savvy. It’s an approach that transcends the myriad genres that have been born from the electronic scene, and instead layers elements of different styles upon one another.
The Bushels, from Charleston, S.C., have a former Asheville singer/songwriter on mandolin and an arsenal of feel-good bar rockers in sophomore release, Wood & Steel.
Chatham County Line’s new album, Wildwood packs much more than bluegrass and Americana. Lush strings, piano and thoughtful, narrative lyrics are highlights.
California-based one-name singer Lissie has Asheville connections (Bill Reynolds, Scott Kinebrew and Bill “Smitty” Smith) and a new CD: The Fat Possom-released Catching A Tiger. It’s set to drop Tuesday, Aug. 17.
The band’s new album, One For The Salamanders goes a long way toward reproducing the excitement and energy of a live show.