Once again, the Hendersonville Film Society is screening of one of their most popular music-themed films. This week they’re bringing back François Girard’s The Red Violin (1998), about which I wrote a few years ago, “The so-called portmanteau film—a collection of stories in a single vessel—is by its very nature a tricky proposition. Even the best of them—Julien Duvivier’s Tales of Manhattan (1942), the multi-director Dead of Night (1945)—rises and falls on the quality of the individual episodes. Duvivier’s film, for example, soars in its Edward G. Robinson sequence, and again in its Paul Robeson/Ethel Waters vignette, but plummets somewhere beneath sea level in the story with Ginger Rogers and Henry Fonda. French-Canadian filmmaker François Girard and co-screenwriter Don McKellar mostly circumvent this problem in the 1998 film, The Red Violin. It’s not simply that there’s no actual clunker of a story in the film’s mix (there isn’t), it’s more that they fashioned not one, but two brilliantly conceived and executed framing stories to tie the whole thing together. And it’s a good thing they did, because this may be the most ambitious portmanteau film ever made, as it traces some 300 years in the ‘life’ of the Red Violin.” The full review is here: http://www.mountainx.com/movies/review/redviolin.php
Before you comment
The comments section is here to provide a platform for civil dialogue on the issues we face together as a local community. Xpress is committed to offering this platform for all voices, but when the tone of the discussion gets nasty or strays off topic, we believe many people choose not to participate. Xpress editors are determined to moderate comments to ensure a constructive interchange is maintained. All comments judged not to be in keeping with the spirit of civil discourse will be removed and repeat violators will be banned. See here for our terms of service. Thank you for being part of this effort to promote respectful discussion.