Mountain-top berry bushes are pushing out the rare species. UNCA and SAHC are trying to push back.

Mountain-top berry bushes are pushing out the rare species. UNCA and SAHC are trying to push back.
Draped, shaped and painted hammocks examine concepts ranging from Yucatan culture to weightlessness to the natural world. The show runs through Saturday, Sept. 21, at Tracey Morgan Gallery.
Anatolii Tarasiuk, a Ukrainian refugee, will celebrate his first art exhibit in Asheville on Friday, Aug. 23 at Pink Dog Gallery.
Asheville filmmaker Adam Larsen puts his considerable talents to work to illustrate Asheville Symphony Orchestra’s upcoming ALT concert at The Mule.
In its latest exhibit, Honoring Nature: Early Southern Appalachian Landscape Painting, the Asheville Art Museum spotlights several early 20th century painters who captured the soaring vistas of the Great Smoky Mountains.
Tracey Morgan Gallery’s new home at 22 London Road in Biltmore Village launches with the inaugural exhibit, “What Came First.” The show opens Friday, March 8, 6-8 p.m. and continues through Saturday, April 20.
The exhibit, The Colors of Pink, runs through Sunday, Feb. 25, and features 18 of the building’s 30 artists. As its title suggests, the collection explores the studio’s unusual name as well as the role color plays in each individual work.
Nick Raynolds’ new exhibit, Externalities, marks a shift in his artistic approach. After decades creating works of realism, he’s now embracing elements of the surreal and abstract.
Though no stranger to showing his work throughout the country, Layton Hower’s latest exhibit, “Everything is Endlessly Vast,” marks his debut in Asheville.
On Sept. 1, local poet Jessica Jacobs launched the nonprofit Yetzirah, the first literary organization in the U.S. for Jewish poets. Now, she is preparing to bring poets from around the country and world to Asheville for a five-day conference.
New Buncombe County library director Jason Hyatt talks about changing roles for libraries and why he kissed a pig.
Xpress speaks with local book club organizers and participants about the unique ways in which these groups create community.
Directors and curators from local college and university galleries speak to the benefits of student and faculty exhibits.
While most nonprofits must stay focused on their specific cause, suggests board member Caroline Avery, the Community Foundation of Western North Carolina’s adaptable structure helps it pivot quickly to meet new challenges, such as the COVID-19 pandemic or the flooding caused by Tropical Storm Fred in 2021. “The community foundation is a charitable Gumby,” she says.
With roughly 250 works by some of today’s most visible artists, local collectors Randy Shull and Hedy Fischer discuss the future of their unintended collection.
Local photographer Carol Spagnuola celebrates Asheville’s tenacious restaurants and breweries in her latest exhibit.
In 16 paintings, local artist Connie Bostic pays tribute to the many local Black women who cared for white children in the first half of the 20th century.
Just in time for Thanksgiving, Different Strokes! Performing Arts Collective serves up Mixed Fandango, a new romantic comedy by Asheville playwright Travis Lowe about three Baltimore couples navigating a turkey day fraught with mishaps.
The Asheville Art Museum re-opens with two major exhibitions, Intersections in American Art and Appalachia Now!
Different Strokes is the first resident theater company at The Wortham Center (formerly known as The Diana Wortham Theatre). That partnership and the Tina McGuire Theatre debut with the premiere of Different Strokes’ production, ‘The Education of Ted Harris,’ on Thursday, Sept. 12.
Becky Stone, a professional storyteller in Asheville for 30 years, organizes SAFP for the Asheville Storytelling Circle. “We want to showcase story in all of its forms,” she says.