Kathy Ackerman will be discussing Olive Tilford Dargan as part of a new female-author series sponsored by the Wilma Dykeman Legacy. The program features lectures on five writers — Dargan, Ellen Glasgow, Zora Neale Hurston, Julia Peterkin and Marjorie Kinnan Rawlings — and three film showings.
The Asheville area has long attracted out-of-state painters, photographers and indie crafters. But what happens after these creative nonnatives decide to trade visitor status for residency? Transplants, an art exhibit opening Friday, Aug. 6, and running through Sunday, Sept. 24, at the Tracey Morgan Gallery, seeks to answer that question.
This year’s iteration, running from Thursday, July 20, to Sunday, July 30, features folk dance collectives from India, the Netherlands, Slovenia, Argentina, Russia, Israel, Taiwan and Wales. Traditional Appalachian and Cherokee groups will perform, too.
Brandy Bourne and Justin Rabuck have seen indie crafts evolve firsthand. Nine years ago, they founded The Big Crafty, a biannual art and craft market. With eclectic products and a convivial atmosphere styled after Taiwanese bazaars, The Big Crafty proved to be an instant hit.
Opening Saturday, July 6, at The Magnetic Theatre, Has Anyone Seen Ms. Ray? is all about things that go bump in the night. “It’s based loosely on Antigone,” Todd Weakley explains. “Except it’s like the writers of ‘Buffy the Vampire Slayer’ took a stab at it.”
Compassion, and possibly shared frustration, is the basis of Together We Stand, a series of dance performances onstage at the Diana Wortham Theatre Thursday-Saturday, June 22-24.
Different Strokes! Performing Arts Collective stages a comedy that will anchor a “FUNraiser” benefitting the group’s plan to open a 120-seat theater space.
This season, two new events — the Better Dads Festival and Xpand Fest — are launching in downtown Asheville. A little further out in Hot Springs, ballad singers and hikers are coming together to celebrate the Bluff Mountain Festival’s 22nd year.
Eight resident choreographers, three composers and two visual artists will come together for a night of collaborative live performance. With no restrictions beyond a 10-minute time frame, Asheville Ballet artistic director Ann Dunn likens the show to a floral bouquet: diverse and eclectic.
Why are two women playing Matt Damon and Ben Affleck? Director Angie Flynn-McIver says cross-gender casting is the only way to rightfully perform Withers and Kaling’s script.
The Blue Ridge Craft Trails of Western North Carolina — Blue Ridge National Heritage Area’s newest addition to its programming — “raises all boats” by connecting collectors with authentic makers.
“Microfibers come off polyester clothes in the washing machine, and those particles pollute waterways,” says Grace Gouin, strategist at Echoview Fiber Mill in Weaverville. Streams are so loaded with the synthetic stuff that, in theory, fish are a certain percent yoga pant.
Gillum composed Me, The Worst of Them All, as part of the four-day festival running Thursday-Sunday, April 20-23 at The BeBe Theatre. Her performance honors 17th-century Mexican nun and feminist Sor Juana Ines de la Cruz, and uses birdlike imagery to typify life in a male-dominated world.
Asheville Community Theatre and the UNC Asheville the drama department collaborate on Peter and the Starcatcher, a Tony Award-winning prequel to Peter Pan. It opens on Thursday, March 30 at UNCA’s Carol Belk Theatre.