Red meat for the red state-minded—and something of an embarassment for the rest of us—Antoine Fuqua’s Olympus Has Fallen is awash in flag-waving clichés, silly symbolism, dodgy CGI and the (presumably unintentional) irony of a Scottish actor portraying our unstoppable American hero. (Perhaps someone thought it would be nice to have a Brit make up for that little episode with the White House during the War of 1812.) Along with Gerard “Where is that career I sort of had once?” Butler, an array of respectable name actors who ought to have known better signed on for this — and, unfortunately for them, this isn’t the kind of bad movie that almost no one will see. The luckiest of them is probably Ashley Judd, who had the good sense to take the role that got her out of the movie in the first 10 minutes. In a movie like this, plunging to your death as soon as possible is in your favor. When Melissa Leo saw her character being dragged around by terrorists later in the film while she gave them what-for by screaming the Pledge of Allegiance, she probably wished she’d gone off a bridge in the first few moments, too.
The pitch for this nonsense is that North Korean terrorists (not, mind you, representing the actual, sufficiently crazy North Korean government) attack Washington with a preposterous cargo plane (enough firepower onboard, we’re told, to take down our best jets) that cruises into town shooting things up before they’re shot down — taking off the top of the Washington Monument in the process. (Yes, we lost our manhood.) In the confusion and further ground-based carnage, it’s decided to dispatch the president (Aaron Eckhart), the vice president (TV actor Phil Austin), the secretary of defense (Ms. Leo) and an assortment of visiting South Korean delegates to the underground bunker deep beneath the White House. Who could guess that one of the delegates is Kang (Rick Yune, The Man with the Iron Fists), a legendary terrorist, and another is an American traitor? (We aren’t supposed to know who this is, but the casting gives it away.) And, all the while, nasty foreigners are laying waste to the White House — even tearing down the now-tattered flag and throwing it off the roof so that it can flutter down in slow-motion CGI.
Ah, but the terrorists didn’t count on semi-disgraced Secret Service agent Mike Banning (Butler) being around. He’d been involved when the first lady plunged to her death, and even though he wasn’t at fault, the president had him moved to a different department so his presence wouldn’t be a reminder of the accident. So Banning not only wants to save America, but to square himself with the commander in chief. (I’d call him an overachiever.) Proving that he — like first-time-offender screenwriters Creighton Rothenbergh and Katrin Benedikt — has seen Die Hard, Banning steps right into the mess and tackles those pesky bad guys single-handedly with the blessing of the acting president (Morgan Freeman) and the head of the Secret Service (Angela Bassett) who, of course, already knows Banning’s worth. And unbelievable — if not unpredictable — as it may seem, her faith is well-placed. Soon he’s blasted, bludgeoned and beaten his way through scads of evildoers — stopping to torture a pair of them (for supposed “comic” effect) in order to gain information. At one point (just in case the earlier symbolism was too subtle), he beats one to death with a bronze bust of Lincoln.
Distasteful as the film is with its wholesale slaughter and mean-spirited tone, Olympus Has Fallen would just be a dumb bad action picture with cardboard characters, lousy dialogue and below-par special effects, but it’s hard not to think that too many people will take its bargain basement jingoism and posturing too seriously. That strikes me as more disturbing than anything actually in the movie. Rated R for strong violence and language throughout.
Playing at Carmike 10, Carolina Cinemas, Epic of Hendersonville, Regal Biltmore Grande
“taking off the top of the Washington Monument in the process.”
Ray Harryhausen beat ’em to the punch; aliens did this in Earth VS. The Flying Saucers already.
Gawd this sounds like a truly dreadful bit of dreck.
And it was much more impressively done in Earth vs. the Flying Saucers.
Yeah, I don’t think anything will top Harryhausen engraving that image in my mind.
Don’t those aliens take out the Capitol Dome and the Lincoln Memorial, too?
Indeed they did just that. Even 50 plus years ago, the aliens made the North Koreans look like rank amateurs.
And in a much more believable movie, too.
Heh heh. And it only took one guy with a camera and maybe a couple grand to do it in EvsTFS.
As crappy as the effects are in Olympmoose Has Fallen they cost many many times that amount.
I think this film is a warm-up for the forthcoming ‘White House Down’, which evidently has at its premise a bunch of whacko gun nuts (who call themselves ‘patriots’) that decide to take out the White House (which happens to be occupied by a black President, played by Jamie Foxx) and blow other stuff up real well (like the Capital Building and so forth).
Fun for the whole family!
It’s from Roland Emmerich — chew on that.
Ahh, another high-budget ‘B’ flick then.
What’s horrifying is that it stands a good chance of being more believable than this one.
That is not a surprise; frankly, in today’s polarized political landscape, with loons emerging like hungry locusts after a seven-year snooze, the premise IS more believable.
Just remember, this is the guy who made — apparently in all seriousness — that Shakespeare expose last year. You know, the one that had Tudor roses growing on bushes and a nine-year-old writing A Midsummer Night’s Dream.
Someone has to keep it real.
That’s a lot to ask from the fellow who had aliens oversee the construction of the pyramids with the aid of woolly mammoths.
You can’t prove that it didn’t happen that way.
Didn’t Criswell say that?