Salome’s Last Dance

Movie Information

In Brief: At an early point in Ken Russell’s Salome’s Last Dance (1988), Oscar Wilde (Nickolas Grace) is surprised to see an amateur production of his banned play Salome interrupted by a photographer taking a flash picture of the proceedings. The photographer is none other than Russell himself, who is playing a visiting dignitary in the show, prompting Wilde to remark, “If your acting is as grossly indecent as your photographic studies, Kenneth, we should be in for an outrageous evening.” Indeed, this no-holds-barred filming of Wilde’s play — opened up to include Wilde as the audience for the production, which takes place in a brothel — is nothing if not outrageous. The outrageousness is especially apt considering the film’s history. The idea started around 1974 when Russell and his then-agent Robert Littman — fortified with a few drinks — called various studios with the idea that Russell could film Lindsay Kemp’s production of Salome for £120,000. Everyone wanted it — till they learned Kemp was a man in drag. Alan Ladd Jr., however, didn’t care. He saw it as a chance to balance out some expensive productions and said yes, but Russell backed out after seeing the play a second time and going cold on the idea. But then the years passed and things changed.
Genre: Semi-Biographical Comedy-Drama
Director: Ken Russell
Starring: Glenda Jackson, Stratford Johns, Imogen Millais-Scott, Nickolas Grace, Douglas Hodge
Rated: R




Flash-forward to Russell’s Vestron Pictures deal in the late ‘80s and a revival of the project— still at a bargain rate and with a female Salome (Imogen Millais-Scott), in addition to a biographical framing story that parallels Wilde’s betrayal by Lord Alfred Douglas (Douglas Hodge) with Salome’s betrayal of John the Baptist (also Hodge) in the play. Largely confined to one set (but what a set!), the film amazingly never feels stage-bound, and for my money is the best of Russell’s late 1980s work. It’s outlandish, oversized, campy, profane and, finally, strangely moving—in a way that only a Ken Russell film can be.

The Asheville Film Society will screen Salome’s Last Dance Tuesday, July 5, at 7:30 p.m. at Grail Moviehouse, hosted by Xpress movie critic Ken Hanke.

About Ken Hanke
Head film critic for Mountain Xpress from December 2000 until his death in June 2016. Author of books "Ken Russell's Films," "Charlie Chan at the Movies," "A Critical Guide to Horror Film Series," "Tim Burton: An Unauthorized Biography of the Filmmaker."

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