We’re taking to the streets, forests and shops of Asheville to highlight the brightest in local music. And the best part? There’s no cover and you don’t have to leave the house!

We’re taking to the streets, forests and shops of Asheville to highlight the brightest in local music. And the best part? There’s no cover and you don’t have to leave the house!
We’re taking to the streets, forests and shops of Asheville to highlight the brightest in local music. And the best part? There’s no cover and you don’t have to leave the house!
We’re taking to the streets, forests and shops of Asheville to highlight the brightest in local music. And the best part? There’s no cover and you don’t have to leave the house!
As the sun rose on the morning of Oct. 2, 1929, hundreds of picketing mill workers in Marion, N.C., found themselves in a deadly standoff with law enforcement. (photo by Jonathan Welch)
Local songwriter Link (from Thy Courage Quail) and fiddler Erica Schinasi perform “strange old song” from the album armor & teeth in front of the iron sculpture in downtown Asheville.
We’re taking to the streets, forests, shops and roofs of Asheville to highlight the best and brightest in local music. And the best part? There’s no cover and you don’t have to leave the house!
Did you miss the Anti-Valentine’s Day Pillow Fight flashmob event at the Vance Monument? Don’t let your heart be broken! We have the next best thing: Video.
We’re braving basements, rooftops, forests and alleys to bring you this new video series where local musicians step out of their element for a preview of upcoming performances.
We’re braving basements, rooftops, forests and alleys to bring you this new video series where local musicians step out of their element for a preview of upcoming performances.
We’re braving basements, rooftops, forests and alleys to bring you this new video series where local musicians step out of their element for a preview of upcoming performances.
We’re braving basements, rooftops, forests and alleys to bring you this new video series where local musicians step out of their element for a preview of their upcoming performances.
This month at Flood Gallery, electronic-media artist Gene Felice demonstrates what happens when rapid-prototyping technology gets caught up in the visual-arts realm.
Accompanied only by his drum, Kingston, Jamaica,-based reggae artist Garro has been busking on the streets of Asheville since last week’s Goombay Festival. In this video, he performs his song “Oh Jah” in front of Malaprop’s.
A relatively recent arrival to Asheville, Tyler Lupton is yet another local busker without much of a presence on the web. Like what you hear? Your best bet of hearing more is to catch him playing live on the streets of Asheville. And when you do, be sure to request this tune, “Car By Car.”
Accordion-player Michael Stutesman may hail from Morganton, but he’s a regular visitor to Asheville. Unlike many of our local buskers, Stutesman isn’t looking for tips, performing without so much as an open case or upturned hat, insisting he’s only playing outdoors because he loves doing it. Here, he performs a traditional tune known by many names, including “Waltz of the Wooden Horses,” on his Hohner Erica.
Mary Sparks may not have a name for this new work, but she’s adamant that it was inspired by the creative atmosphere of Asheville. She should know. The hammered dulcimer player relocated here a few years ago, in large part because of the active local busking community. Here she is performing outside of Malaprop’s Bookstore/Cafe earlier this week.
Earlier in the week, we posted a video of local Americana musician Brian McGee performing in downtown Asheville. McGee was kind enough to let us record a few songs, and here’s another one of his tunes, “Let’s Bleed.”
Winston-Salem-based bluesman Daniel Rassum is hardly a stranger to the Asheville busking scene, regularly performing in the city for a week or so several times each year on his ongoing regional tour. In this video, he performs his original tune “You Can Call Me Daniel.”
Local alt-country and Americana musician Brian McGee performed his tune “First Kiss” from his forthcoming album The Taking or The Leaving on Wall Street earlier this week. He was joined by drummer Kevin “krum” Rumley. Added bonus track: McGee performing his tune “Walking Back To Love.”
Time for a little Monday morning a cappella. Here’s vocalist Rhoda Weaver performing her version of the classic Bill Withers song “Ain’t No Sunshine” a few weeks ago on the corner of Patton Avenue and S. Lexington.
We’re going back a few weeks into the past to revisit the busking performance of local singer/songwriter PJ Bond as he played his tune “You Know The Drill” to a small, enthusiastic crowd in front of Kim’s Wigs in the Miles Building in downtown Asheville.