David Bazan’s solo tour brings him to Asheville

JUST LIKE THE RECORD: For his tour dates in support of Blanco, multi-instrumentalist David Bazan has made the unconventional choice to play the songs in the same order as they appear on the record. Photo by Ivan Agerton

“We wanted to make a record.” That may sound like the most obvious of statements coming from a recording artist, but David Bazan is trying to convey a deeper meaning when he says it. For him, a record is more than simply a collection of the last dozen or so songs he’s written; it’s a cohesive, sonically and thematically linked work. Blanco is just such an album, and Bazan will perform its songs — along with other tunes from his back catalog — when he appears onstage at The Grey Eagle Wednesday, July 13.

The songs on Blanco began their life as part of Bazan Monthly, a direct-to-fans project that the folk-rock multi-instrumentalist started in 2014. Subscribers received a new song once a month. Bazan says that ambitious project was pretty demanding: “Every month I had to turn in two songs for immediate release on the first of the next month.” After that two-year project came to a close, Bazan and his producer/collaborator Yuuki Mathews went though the collection with a goal of selecting tracks for a proper album.

But the record would be more than a best-of culled from the Bazan Monthly tracks. “It happened in a pretty organic way,” Bazan says, “but it’s only in hindsight that I can make sense of the basic theme.” He and Mathews each made a list of the 10 songs they thought would work together sound- and production-wise.

In the end, some very good possibilities didn’t make the cut. “We compiled songs that we felt fit the best and made a complete record,” Bazan says. “I really wanted a song called ‘Impermanent Record’ to be on the album, but it didn’t fit tonally or thematically.” Once the tracks were chosen, Bazan went back and remixed a few, occasionally adding instrumentation or vocals. “The way that the monthly project went, we were right up against the deadline every time. So some of it was that we just wanted another crack at a remix.”

But translating the record to a solo live show “has been kind of a squirrely process,” Bazan admits. “I had started preparation for the trip — and even a couple early shows on the tour — playing some synthesizers and drum triggers and things. And by two or three shows in, I realized, ‘That’s a good idea, but it’s not quite right.’ So I just migrated back over to the electric guitar, and now it’s really fun.”

On his current solo tour, Bazan has made the somewhat unusual decision to perform Blanco‘s songs in the exact order they appear on the record. “I’m playing the record every night, all the way through: Five songs on side A,” he says. Those are followed by selections from his days with the bands Pedro the Lion and Headphones, and then side B of Blanco.

“In doing that, I’m really able to meditate on the thematic flow of the record in a way that I hadn’t had a chance to do yet,” Bazan says. “That’s really wild and supercool. I’ve already worked out the sequence, and I really like it. And it’s working in the live setting, even with just an electric guitar and without all the other accoutrements that are on the record.”

The Seattle-based musician has played in Asheville several times before, including some house concerts. “House show tours are just a little bit more civilized; you just have more time to sleep and collect your wits,” he says. “It’s not so much of a go-go-go-go kind of life. With minimal setup, I’m able to have just as cathartic a time playing music for 70 or 80 minutes than I would with three hours of prep and hanging around. And there’s the bonus of a level of intimacy that you can’t get at a [club] venue. That’s pretty special.”

But Bazan doesn’t shy away from club dates like his upcoming Grey Eagle show, one of 36 between late June and the end of August. “There is a set of muscles that playing in rock clubs utilizes, and they aren’t exactly the same” as the ones used for house concerts, he says. “And it’s really, really good to do both. I’m glad to be in rock clubs right now.”

WHO: David Bazan with Laura Gibson
WHERE: The Grey Eagle, 185 Clingman Ave., thegreyeagle.com
WHEN: Wednesday, July 13, 8 p.m. $15 advance/$18 day of show

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About Bill Kopp
Author, music journalist, historian, collector, and musician. His first book, "Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon," published by Rowman & Littlefield, is available now. Follow me @the_musoscribe

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