After 30 years, Ozric Tentacles is still underground

LONG-TERM RELATIONSHIP: Over 30-plus years and nearly as many albums, space-rockers Ozric Tentacles remain steadfastly underground. Photo courtesy of the band

Ozric Tentacles is that rare group that appeals to fans of trance/rave, techno, jam, psychedelic and space/progressive rock. Founded in Somerset, England — and currently based in Colorado — the festival favorite brings its music indoors to The Altamont Theatre Thursday, Oct. 8.

The Ozrics (as the band is known among fans) have been together for 30 years and have released a new album nearly every year. And though they have a distribution deal with Snapper Music, they’ve never signed with a record label. “I tried getting a record deal early on,” says founding guitarist Ed Wynne, “and they really didn’t like [our music] at all.” He shopped the band’s demo recordings to several label representatives. “The third guy put it on, heard the intro and started shaking his head slowly. He walked up to the machine, switched it off and said, ‘Go back to the Stonehenge Festival.’ I took his advice, and it was the best move I ever made.”

Brandi Wynne, Ed’s wife and the group’s longtime bassist, says, “We did try going with an almost-proper record company. But they really had a lot of input about what they wanted the album to sound like and what they wanted our cover to look like.” She adds, “We don’t really speak much now.” And even though it’s proved a viable method for countless bands, the Ozrics have never taken advantage of crowdfunding. “I just can’t do it,” Brandi says. “It just feels so weird.” Instead, the group resolutely charts its own path, one that’s underground by most commercial measures. But, along the way, the band has sold over a million albums.

More than two dozen musicians have come and gone from Ozric Tentacles; the current lineup is by far the group’s most stable and long-lasting. “We try to keep everyone happy,” says Brandi. Relocating to the U.S. about seven years ago may have played a role in that happiness. Though the musicians enjoyed life and work in Somerset, “It just wouldn’t stop raining,” Ed says. He describes a situation common to British music festivals: “When you go to a festival and you see emergency vehicles with rubber boats on top, you think, ‘Well, let’s turn ’round and go the other way!’”

Brandi adds, “I’ve been to the Glastonbury Festival many times. And I’ve never had a dry one.” At the group’s last performance there, Ed Wynne lost a boot down a muddy hole on the first day. “That was not nice. One foot was wet the whole time,” he says.

But 2012 was the start of a difficult period for the band. First, wildfires were plaguing Colorado. “The house and studio burned down,” Brandi says. “We lost everything. All our recordings, all our hardware. We had been on tour, our van was already full with gear. We rushed home and grabbed a couple of things, including the cat, and then we had to go.” And then three weeks later, Ed landed in the hospital, suffering from a burst appendix. “We spent a year dealing with all kinds of craziness there,” Brandi says.

Once everything settled down, the band returned to music. Its latest album, Technicians of the Sacred, is the group’s first release since 2011’s Paper Monkeys. It’s being hailed in progressive quarters as a return to form and the group’s strongest work in decades. Ed doesn’t believe that the character of Ozric Tentacles’ music — strong and throbbing bass lines layered with synthesizer textures and long (but not meandering) guitar solos — has changed very much since Erpsongs, the group’s 1986 cassette-only debut. “The quality and the technology has [gotten] better,” he says. “The early stuff was done on four-track [tape], and now they’re done on computer, obviously.”

But the music — always instrumental — has remained remarkably consistent. “Inside my head,” Ed says, “it hasn’t really changed. I just have more toys to play with now.”

WHO: Ozric Tentacles, with Jonathan Scales Fourchestra and Mantismash
WHERE: The Altamont Theatre,
WHEN: Thursday, Oct. 8, 8 p.m., $17 advance/$20 day of show

About Bill Kopp
Author, music journalist, historian, collector, and musician. His first book, "Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon," published by Rowman & Littlefield, is available now. Follow me @the_musoscribe

Before you comment

The comments section is here to provide a platform for civil dialogue on the issues we face together as a local community. Xpress is committed to offering this platform for all voices, but when the tone of the discussion gets nasty or strays off topic, we believe many people choose not to participate. Xpress editors are determined to moderate comments to ensure a constructive interchange is maintained. All comments judged not to be in keeping with the spirit of civil discourse will be removed and repeat violators will be banned. See here for our terms of service. Thank you for being part of this effort to promote respectful discussion.

Leave a Reply

To leave a reply you may Login with your Mountain Xpress account, connect socially or enter your name and e-mail. Your e-mail address will not be published. All fields are required.