Wes Tirey celebrates a new album and book with a local performance

IN PRINT AND ON RECORD: The lyrics of singer-songwriter Wes Tirey are on display both in a new book and on the six songs that make up Black Wind, his latest album. The release of both will be celebrated with a show at The Mothlight. Photo by Jason Scott Furr

Two weeks ago, Bob Dylan won the 2016 Nobel Prize for Literature. That news is a reminder that, at their best, music and the printed word can be two sides of the same creative coin. Black Mountain-based singer-songwriter Wes Tirey subscribes to that idea. Tirey celebrates the release of a book of his lyrics as well as his new album, Black Wind, with a show at The Mothlight on Sunday, Oct. 30.

“Simplicity is, at least subconsciously, some kind of songwriting principle,” says Tirey. “That might be the trajectory that most songwriters are on: reaching a point of achieving simple material.” He stresses that simplicity and complexity need not be mutually exclusive. In fact, the lyrics to the six songs on Black Wind are at once evocative and open-ended.

“Once you write [a song] and put it out there, your own artistic interpretation just remains your own,” Tirey says. “But when you’re sharing it with other people, it becomes something else.”

In tandem with the release of Black Wind, Tirey is publishing a book — more of a chapbook, he says — of selected lyrics. The collection showcases some of Black Wind‘s lyrics, plus words from songs on his earlier cassette-only releases. And though Tirey’s lyrics hold their own on the printed page, he doesn’t think of them as poetry. “Songs are meant to be sung,” he says. “And I think songs are ingested differently than poetic material.”

Speaking of poetry, “Howl” author Allen Ginsberg was a proponent of “first thought, best thought” as an approach to writing. Tirey doesn’t agree. “‘First thought, best thought’ is a dangerous thought,” he says with a laugh. He thinks the idea is “something of a myth, more of a romantic idea that this divine stream of artistic thought is elevated above spending time working on the material.”

Tirey places great value on taking time to craft words and lyrics. “Sure,” he says, “I can get a verse that comes together in a minute. But then the rest of song may take three weeks.”

One quote that the musician does appreciate is credited to songwriter Leonard Cohen: “If I knew where all the good songs came from, I would go there more often.” Good songwriting comes, Tirey believes, from a combination of a kind of inspiration coupled with deliberate effort. He describes the first part of that equation: “You get that visceral feeling about a song coming your way, but it doesn’t reveal itself in its entirety.”

So then comes the second part. “People don’t see the moments when you’re alone in a room at 2 a.m., banging your head against the wall looking for one or two words to finish a song,” he says. “Or pacing around the neighborhood, trying to pull it out of thin air … or wherever it comes from.”

Many of Tirey’s previous releases have been instrumental, exploring the possibilities of the largely acoustic instrumentation. And while Black Wind makes effective use of both acoustic and electric guitars, the arrangements are spare. “I’m attracted to that aesthetic of not having too much going on,” he says, “or at least not putting anything in there that doesn’t need to be there.”

Still, the wide-open nature of the album’s sound wasn’t exactly deliberate. “The songs lend themselves to a lot of space,” Tirey says. “I don’t apply some kind of aesthetic intention; it just happens that way.” When it’s proposed that there’s a Southern Gothic feel to his songs, he demurs a bit, suggesting instead, “just an American ethos.”

For him, songwriting is “an exploration of an American aesthetic, one I’m continuing to explore. Sometimes, it turns out as a love song, or a song about longing, or a song about desperation.”

For The Mothlight show, Tirey will sing and play guitar, backed by a drummer and electric guitarist. The band will perform Black Wind in its entirety, plus other songs from Tirey’s catalog. He’s very pleased that Itasca (also known as Los Angeles baroque singer-songwriter Kayla Cohen) will open the show. Itasca’s new album — a “superbeautiful record,” says Tirey — was released by Carrboro-based label Paradise of Bachelors.

“So,” Tirey says, “it’s going to be a night of mellow folk-songwriter stuff.”

WHO: Wes Tirey with Itasca
WHERE: The Mothlight, 701 Haywood Road, themothlight.com
WHEN: Sunday, Oct. 30, 9 p.m. $5


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About Bill Kopp
Author, music journalist, historian, collector, and musician. His first book, "Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon," published by Rowman & Littlefield, is available now. Follow me @the_musoscribe

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