The computerized origin of Carroll’s music is offset to a large degree by the organic feel of the songs on Flight Patterns. “I feel connected to Western North Carolina as a region and environment,” he says.
This is a time when locally based artists — many of whom tour the region and beyond — come home for the holidays. And while they’re around town, they might even schedule a performance.
To commemorate the jam’s 30th anniversary, this year’s festival will be spread across two nights at the U.S. Cellular Center. “This will only be the third time we’ve done that,” says Warren Haynes.
Some might be tempted to label the group a jam band, but the tunes — lengthy as they often are — do adhere to a tight construction aesthetic that belies that label.
Isis Music Hall will be the setting for the Asheville circle, featuring Amanda Anne Platt, Tyler Ramsey, Shannon Whitworth and several others including Pat “Mother Blues” Cohen.
Steven Wilson, Malcolm Holcombe, Goldie and The House Hoppers are included in this round up.
Enlisting talent from the ranks of his own family, SIYAH delivers an impressive 14 minutes of conscious hip-hop.
“We start 2019 at home, and then we’re going to Europe for a 40-date run in nine different countries,” Kyle Travers says. “We’re touring as a headliner; they’ve got a Mercedes Sprinter waiting on us with all of our gear and a tour manager that can translate all the languages.”
An evening of hip-hop, straight-ahead rock with a songwriter’s skill, live music soundtrack to a horror film and locally-sourced soul jazz: Those are among the highlights of local concerts over the next 30 days.
Listeners whose musical appetites are strictly limited to a diet of Americana may find Navigate the Madness too eclectic and adventurous; those with even a slightly open mind will likely embrace the album and hope for more along the same lines from Underhill in the future.
The first Descent drew a crowd — regulars and newcomers alike — packing The Black Cloud. “My regulars are into heavy metal, but there’s some overlap between the metal and electronic communities,” says bartender Laura Beach.
Girlpool plays The Grey Eagle Sunday, Nov. 4.
An outspoken alt-country legend, local rock heroes paying tribute to the progenitors of heavy metal, intriguing not-quite-hip-hop and confessional indie rock: those are among the prime music options available to Asheville concertgoers in the next 30 days.
In the end it’s best to forget about summing up Daydream Creatures’ music into a few words. The music and the harmonies will tell us everything we need to know.
Held monthly at The Mothlight, The Moth StorySLAMs in Asheville were an immediate sensation.
Discover Americana, hip-hop and an epic battle of sorts between tributes to two of the greatest bands of the rock era.
At first listen, Jawbone might seem less political, but dive more deeply and you’ll discover that George Terry McDonald remains a reliable composer of songs that are, so to speak, “about stuff.”
At that Oct. 13 show, attendees will vote upon and crown a non-gender-specific prom king and queen, and festive, space-age-themed attire is encouraged.
That balance between soothing and energetic, acoustic and electric, will characterize the Stillness album premiere show. With a hearty laugh, Eliot Wadopian poses a not-at-all rhetorical question: “How do you do a CD release for a meditation record in a nightclub?”
Arena rock, engaging and tuneful pop, heartfelt blues and deep funk are just some of the sounds explored by live acts playing in Asheville over the next 30 days.
Unlike some EPs, Space and Time doesn’t feel like a quick compilation of leftovers designed to buy time while the next full-length is developed. Each of its four cuts is the equal in quality and nuance to the best of what has come before.