With 15 albums and more than four decades of music-making under his belt, folk singer/songwriter Jonathan Edwards is no stranger to the touring lifestyle. His most current journey brings him to Asheville’s Altamont Theatre on Friday, Aug. 7, at 8 p.m. Tickets for the general admission show are $25 per person.
The artist is touring in support of his most recent album Tomorrow’s Child, which “finds the celebrated songwriter uniting the themes that have defined his four-decade-plus career, and features contributions from Alison Krauss, Darrell Scott, Vince Gill, and Shawn Colvin among others,” according to a release about the musician. “Edwards, who endeared himself to a generation with his Vietnam-era 1971 cross-over pop hit “Sunshine” and early stoner anthem “Shanty,” reveals over the course of the album that not only was he adopted as an infant but was himself forced to put his own child up for adoption before his music career took off.
Here’s Edwards in action, strumming and singing his tune “Emma” last May:
For more information or tickets to see the performance, visit thealtamont.com/edwards/.
More information from the artist’s website:
Warm as summer sunshine, real as the truth, intimate as a long overdue visit between old friends … such is a Jonathan Edwards concert. Four decades into a stellar career of uncompromising musical integrity, the man simply delivers, night after night – songs of passion, songs of insight, songs of humor, all rendered in that pure and powerful tenor which, like fine wine, has only grown sweeter with age.
This is one veteran performer who is neither grizzled nor nostalgic. These days Jonathan is likely to be found on the road. I’ve been…doing what I do best, which is playing live in front of people. I’ve been concentrating on that and loving it,” he says.
An artist who measures his success by his ability to attract and take good care of an audience for four decades, Jonathan maintains that it is the feedback he receives after his shows that keeps him going. “It is really gratifying to hear [someone say], ‘Your stuff has meant a lot to me over the years.’”
The “stuff” he’s referring to is a highly respected repertoire that includes such classics as “Honky Tonk Stardust Cowboy,” “Sometimes,” “One Day Closer,” “Don’t Cry Blue,” “Emma,” “Everybody Knows Her,” “Athens County,” and everyone’s favorite ode to putting a good buzz on, “Shanty.” And then, of course, there’s the anthemic “Sunshine (Go Away Today),” that fierce proclamation of protest and independence that resonated with thousands and thousands of frustrated and angry young men and women when it was first released in 1971. Almost 40 years later, at show after show, the song continues to be embraced by faithful followers and new fans alike.
Since 1971, Jonathan has released 15 albums, including Blue Ridge, his standard-setting collaboration with bluegrass favorites the Seldom Scene, and Little Hands, his collection of children’s songs, which was honored with a National Library Association award.
As for album #16, Jonathan says, “Young people that are getting back to the land and trying to get off the power grid encourage me. My next studio album will reflect some of those themes.” With that in mind, it’s no surprise that he closes each night’s show with these heartfelt lyrics:
“Calling all dreamers and optimistic fools
Don’t let go of your dream, make it now, make it all come true
If you believe in a brighter day
I know we can find our way
To this island, in a starry ocean
Poetry in motion, this island earth
A beautiful oasis for all human races
The only home that we know, this island earth.”— Donna Johnston
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