Movie Reviews

The fact-based chronicle of a French priest's sexual abuse victims' lingering trauma is a must-see.

The animated adventure is a hilarious time at the movies.

In this documentary, Dennis Prager and Adam Carolla attempt to counter the vocal, sometimes violent left-wing activists who are silencing opposing voices on American college campuses.

Kristina Guckenberger and Edwin Arnaudin agree that Taika Waititi's anti-hate satire is an extraordinary melding of humor and heart — and one of the year's best films.

A smart, fun and surprisingly nonsuperfluous addition to the long-running sci-fi franchise.

Edward Norton's noir passion project is consistently good but never aspires to greatness.

The documentary about the notorious lawyer is must-see viewing for anyone who wants to better understand the world that produced his mentee, Donald J. Trump.

The corrupt cop thriller maintains suspense even in the face of audience disbelief.

This dramatization of the 1925 serum run to Nome is bound to leave theatergoers underwhelmed.

The wonderfully honest and illuminating documentary tracks an Afghan family's arduous journey to attain political asylum.

Harriet Tubman's extraordinary deeds are cheapened via Lifetime movie trappings.

A new app intended to predict the exact moment of any given person's death is widely downloaded, yielding troubling results.

The concert doc is a pleasant way to experience Bruce Springsteen's new album.

The star-studded dramatization of Edison's and Westinghouse's electricity battle is compelling viewing.

Eddie Murphy returns to top comedic form by portraying fellow cinematic icon Rudy Ray Moore.

The seemingly endless beneficial properties of mushrooms are extolled via gorgeous time-lapse photography and compelling interviews.

The lighthearted tone, quippy dialogue, outlandish gore and other assets from the 2009 original return for the sequel.

Robert Eggers' follow-up to The Witch is one of the year's most unpleasant viewing experiences.

Angelina Jolie reprises her delightfully wry and dark role, while Michelle Pfeiffer and Elle Fanning also shine.

Takashi Miike injects his latest violent flick with welcome doses of humor and heart.

The phone-addict comedy fails to earn laughs but succeeds on other fronts.