Hiroshima, Mon Amour
To appreciate the fuss and fury that greeted Alain Resnais’ Hiroshima, Mon Amour on its first appearance, it’s necessary to get into a kind of 1959 mindset. In particular, the 1959 mindset of the Cahiers du Cinema group, who were looking for new type of film. They found it with Resnais’ movie, which virtually defined […]