FRP’s version is even more entertaining than both the Broadway version and the film — a feat not to take lightly, as this production had the power to draw Tony-nominee Terrance Mann to the opening.

FRP’s version is even more entertaining than both the Broadway version and the film — a feat not to take lightly, as this production had the power to draw Tony-nominee Terrance Mann to the opening.
With ‘The Love List’ we are reminded that the perfect person doesn’t exist, and it’s often our flaws that make us unique and lovable.
A powerhouse chorus of all ages elevate songs like “Oh Come All Ye Faithful” to a goose-bump-inducing crescendo in the first half of the show. They are aided by the nimble musical direction of Ethan Andersen, who plays at a grand piano at center stage.
Dial M For Murder grabs hold of us and doesn’t easily let go, rattling the chains of Hitchcock in an honorable way. Here’s hoping Flat Rock Playhouse incorporates more thrillers into its future seasons.
Amadeus is actually more about Salieri, the exalted musician who finds Mozart’s rapid rise to fame as a personal affront to his more measured success. Salieri is a skilled musician, but the revolutionary spirit of Mozart threatens to overshadow him.
All of the parts come together in a magical, mystical feat of precision that, while expected from Flat Rock, still amazes.
Since the play is set in our home state, it helps bring a sense of realism to this production. This is a show to see with friends. It’s an absolute laugh riot, and the hysterical cast is truly outstanding.
Upon arriving, the audience is greeted by a clever stage design (by Samantha Yaeger) that makes you feel as if you are under the sea, gazing out from a deep abyss into a shimmering ocean.
Such a positive focus is what we need right now. If Annie has taught us anything, it’s that, despite it all, the sun will come out tomorrow.
In the 1950s and ’60s, Leiber and Stoller were on the top of their game, knocking out hit after hit, recorded by the likes of Elvis, The Drifters, The Coasters and many others.
This is pure country music that was originally performed by stars of the 1950s through the early ’70s. Many big acts are represented, starting with Willie Nelson’s blockbuster hit “On the Road Again.”
Originally published in 1843 to mass appeal, Charles Dickens’ story remains a dark page-turning ghost story, best experienced by a crackling fireside. Flat Rock Playhouse manages to bring that firelight to the main stage with this hauntingly beautiful rendition, showing through Saturday, Dec. 17.
The musical version, by Dolly Parton and Patricia Resnick, is now showing on Flat Rock Playhouse’s main stage through Saturday, Aug. 20.
In celebration of the 100th anniversary of the National Park Service (of which the Sandburg Home is part), Flat Rock Playhouse created two new original productions — Spink, Skabootch and Swipes in Rootabaga Country and Carl Sandburg’s Rootabaga Express.
The story, by Meredith Willson and Franklin Lacey, is set in River City, Iowa, during the summer of 1912. When a clever con artist known as Professor Harold Hill, played by Brian Robinson, steps off the train, he means business. This classic musical is performed through Saturday, July 9.
The show is a lean, mean 90 minutes, with no intermission, and leaves the audience on its feet, cheering by the end. It manages to tell the compelling tale of the early days of rock ‘n’ roll, while also feeling intimate.
Tribute artist Donny Edwards will call on experiences alongside Elvis’ peers, plus loose limbs and plenty of hairspray, to honor The King with authenticity at Flat Rock Playhouse from Thursday, April 7, to Sunday, April 17.
Standouts include An Iliad, Art, Young Frankenstein and more.
This world premiere of Flat Rock Playhouse’s dazzling new musical, Chasing Rainbows: The Road To Oz, embodies the classic Hollywood movies of the 1930s. It looks and feels like Broadway musicals of old, while also being fresh and new.
Fly, which depicts the struggles, losses and achievements of the legendary Tuskegee Airmen during World War II, continues at Flat Rock Playhouse through Sunday, Sept. 27
This week in local moviemaking, Asheville 48 Hour Film Project winners are named, a new silent film series launches and WCU’s Controlled Chaos Film Festival screens student work.