Review: Love Child-attachment0

Review: Love Child

Plays about life in the theater can feel a little cliché — the easy image of the play-within-the-play dating back to Shakespeare, and beyond. For an audience of non-actors, such storylines can be a little too self-absorbed to be relatable. Fortunately that’s not the case with Love Child, now at N.C. Stage.

Review of Fight Girl Battle World-attachment0

Review of Fight Girl Battle World

The fast-paced if somewhat chaotic action features bizarre aliens, cool ray guns, girls in tight outfits, a loquacious robot, spaceships and fire-fights, a Chinese dragon ride across a desert planet, an intergalactic zookeeper, copious pseudo kung-fu and/or quasi ninja shenanigans, puppetry so bad it’s good, and an implement of “enhanced interrogation” I’ll call a tickle drill.

Review of Angels in America, Part II-attachment0

Review of Angels in America, Part II

Angels in America Part II: Perestroika is crazy in the head. If you happen upon it without having experienced Part I: Millennium Approaches, you might wonder if you’ve just lost your mind, or if the world is going mad. Then again, that seems to also be the position of many of the show’s characters. At least you won’t be alone.

Review of The Glass Menagerie-attachment0

Review of The Glass Menagerie

Otherwise, Hans Meyer’s direction reveals an admirable clarity and restraint that allow his actors to do the work the play requires. The staging is remarkably streamlined and well-integrated, with none of the directorial caprice one sees all too often scrambling a play’s signal.

Review of One Flea Spare-attachment0

Review of One Flea Spare

It’s the 1660s and the silly Restoration has been interrupted by the Plague. A wealthy London family is sealed up in their house by the authorities because their servants have died laden with “tokens” of the scourge, and the nailing up of the windows and the guarding of the doors of afflicted households were all they knew to slow the mysterious progress of the disease.