Amandla is a studio creation of Claude Coleman Jr., an Asheville multi-instrumentalist best-known as the drummer for Ween. But unlike the decidedly acquired-taste music made by Ween, Amandla makes pure ear candy. Released Feb. 14, Laughing Hearts (Marshall Hotel Records) is the third album using the Amandla name. An album release party is scheduled for […]
The local music will be onstage with her full band at The Grey Eagle on Saturday, March 4, for the Hunger Relief Benefit concert.
The South African a cappella group reflects on 30 years of international acclaim and U.S. touring.
The band came together in 2012 almost by accident, according to saxophonist Pauly Juhl. “A friend’s sister was getting married,” he recalls, “and she wanted a New Orleans-style brass band for her rehearsal dinner. My friend asked me if I could put a group together.”
Lowland Hum performs at The Grey Eagle on Sunday, Feb. 26.
Joe Buck Yourself and Nate Hall of USX open the show at The Odditorium on Friday, Feb. 24.
Each week, Xpress highlights notable WNC crowdsourcing initiatives that may inspire readers to become new faces in the crowd. This week features Smiling Hara Tempeh’s research trip to Indonesia plus a new album by local rock group The Luxury Spirit.
We’ve got folk-jazz, folk-blues, electronica-jazz and straight-up New Orleans funk on tap.
Music educator Jason DeCristofaro has planned a dozen benefit concerts to support various nonprofits. The next event takes place at The BLOCK off Biltmore on Sunday, Feb. 26, and features the Richard Shulman Quartet and Dan Keller Quartet.
Based out of Greenville, S.C., and hoping to lay some roots down in the Asheville area, the band recently performed a short set at The Grey Eagle.
Local hip-hop/indie-soul collective Natural Born Leaders has been not-so-quietly making a name for itself on Asheville stages. The band shared two songs from an Isis Music Hall Show in December.
While WNC remained segregated, Horace Rutherford — rumored to never turn away business — wasn’t opposed to allowing white people to drink at his bar, and Roseland Gardens may have been the first integrated establishment in the region.
Dr. Bacon took some time to develop its sound. Talbott says that the original group knew what it liked: “It was kind of alt-rock,” he says. “But when we started busking on the streets in Boone, we quickly learned that if you play bluegrass, you get paid to do it.”
The show, featuring more than 20 acts and benefiting local nonprofit Bounty & Soul, takes place at UpCountry Brewing Co. on Friday, Feb. 17.
Shoegaze groups Knives and Daggers and VIA will open the record release show on Friday, Feb. 17.
The New Orleans-based collective will perform at Isis Music Hall on Friday, Feb. 17
The album, recorded at Echo Mountain, includes contributions from Yo Mama’s Big Fat Booty Band and a host of other local musicians.
“We’re really proud of this series,” says Marisa Blake, IamAVL’s marketing manager. “The main purpose of it is to provide a unique musical experience by blending the magic of a live performance with the comfort of a studio session.”
Locally owned record stores hold a lot of musical energy, acting as hubs for artistic congregation and hosting live events by underground artists. Many Asheville locals are record collectors, and peeking into this world made me want to be one too. Christina and I explored four local spots housing worlds and decades of music
In addition to offering a chance to party among bike enthusiasts, Bike Love highlights the 2016 accomplishments of local nonprofit Asheville on Bikes and enumerates goals for 2017. Salvage Station hosts the gathering on Saturday, Feb. 18.
Jonathan Santos is an artist of many talents but he has a singular goal — to inspire.